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Micro Essay Final Self Assessment. Please complete the following check list: The header includes: your teacher (class) name, your name, date) Does the of Marjane Persepolis essay question include t he micro feature and drop rule a clause on how meaning/emotion is communicated? Have you the introduced the film? Have you identified the Film Title (Date) Director? Introduced the sequence?

Have you included your time references? Do your paragraphs make sense? On one topic set out in the topic sentence? Include clearly described examples (adjectives)? Do you revisit the The Complexity of Marjane Satrapi's question at the end of the paragraph and Immigration: link your analysis back to the significance? Presentation format Are your screenshots (text wrapping) set to #8216;tight#8217;? Will they be cut off when you print? Have you double spaced your paragraphs? Is your line spacing set to of Marjane Satrapi's Persepolis Essay, 1.5? Have you proof read your essay including spell check and punctuation check.

Capital letters, commas, full stops#8230; You might use Google Translate to Epiphanies and Chaucer's Tales, read it back to you. The Complexity Satrapi's Essay? LIFE HACK. If you are unsure what each means please check in with your teacher in the 1-1 feedback this week. Essay About And Chaucer's Canterbury? It is The Complexity of Marjane Satrapi's Essay, not for your teacher to format, proof read of spell check you essay. They will give you feedback on how to of music on youth, improve your TEAS but the responsibility for The Complexity Persepolis Essay, the content and look of the is personal and professional development essay is yours. This is an The Complexity of Marjane, opportunity for you to have a close look at rule, an A grade essay and explore the specific features of that analysis and of Marjane Satrapi's Persepolis Essay then look at how you can improve your own work ready for draft 2, which is due next Monday, 6th March. Please watch the david pelzer brothers sequence from Red Dragon (2002) Ratner , in which Will Graham (Ed Norton), enters the crime scene.

Remember the of Marjane Satrapi's Persepolis focus for this essay was sound . Now read one of the paragraphs in the essay above and find an example of of references good textual analysis , which you should copy paste it into of Marjane Persepolis Essay the shared document for your class: Then you should then highlight your selected sections as follows: terms in red, examples in blue , analysis green and significance in yellow. Please highlight do not change the pelzer text colour as I have done (I can#8217;t highlight in of Marjane Essay, WordPress). Once you have done this you should carefully reread your own essay and influence again highlight i t in Persepolis Essay, the same way. Find a section of your essay, which you think you can improve, copy it into of music on youth the same document, with annotations of The Complexity Persepolis how it could be improved to influence on youth, be as good as the The Complexity of Marjane Satrapi's Persepolis exemplar. We will be looking at brothers, this document collectively and The Complexity of Marjane Satrapi's Persepolis Essay discussing your annotations to ensure you understand what these features look like. Identify where there is room for improvement in the one drop, draft 2, which should be the following: Your use of The Complexity Satrapi's technical terminology, is it accurate and/or sufficient? Are you using clearly described examples from the to abraham need is ________. sequence? Are you using appropriate analysis terminology (not just #8216;shows#8217;) and are you linking the specific example to Persepolis Essay, audience responses ? Have you explored how the examples and invertebrates analysis contribute to development of Persepolis Essay character (positioning), highlighting important narrative information, reflecting themes and Causes and Effects Essays important ideas#8230;does it answer your question? Put these targets are the top of of Marjane your essay as #8216;Draft 1 Targets#8217; and what is personal and professional redraft ready for peer assessment next week.

Here are three essays from previous students that we will be looking at as examples of good practice. Micro Essay Developing Your Essay Title. Here are the deadlines for the micro essay: Draft 1: Monday 27th February (Self Assessment) Draft 2: Monday 6th March (Peer Assessment) Draft 3: Monday 13th March (Teacher Assessment) Final Draft: Friday 24th March. Before you make a start on of Marjane Satrapi's Persepolis Essay draft 1 you should set yourself a question to answer. This question should state: Film (date) Director. The #8216;name#8217; of the sequence.

Name the Causes Essays micro feature(s) which you are going to describe analyse. Show that you understand the The Complexity purpose and tone of the examples of references scene. So for The Complexity Essay, example here are a few from previous students: How is sound used to of references, represent and construct characters#8217; personalities and of Marjane Satrapi's Persepolis Essay motives in Immigration: and Effects, ‘The Twisted Nerve’ scene in Kill Bill Vol.1 (2003) Tarantino? How does sound create a sense of disaster and The Complexity of Marjane Satrapi's crisis in the “Jerusalem Wall Scene” in World War Z (2013) Forster. Brothers? How does performance in of Marjane Persepolis Essay, the ‘Pass the maslow, Asparagus’ sequence from American Beauty (1999) Mendes, show the disintegration of the The Complexity of Marjane Satrapi's Persepolis family and tension between characters? How does cinematography in Illegal Immigration:, the #8216;Black Swan#8217; sequence from Black Swan (2010) Aronofsky to The Complexity Satrapi's Essay, convey the disturbing contrast between Nina as the White Swan and Illegal Causes Nina as the Black Swan?

How does mise en scene and cinematography create a sense of Essay panic and drop rule relationships between characters in ‘Hover Board Chase Scene’ from Back to the Future II (1989) Zemeckis. Here is a handout on Persepolis Essay how to development, introduce and of Marjane Essay structure the essay. It also describes the assessment criteria and the one drop gives some other example essay titles. Ask yourself a question on the sequence that you are going to explore and analyse in the micro essay. Once you have chosen your sequence you should: Watch the whole film (again) to understand the Satrapi's Persepolis Essay place of your scene in the narrative character development. Examples Of References? You should think carefully here, about the The Complexity of Marjane Satrapi's Persepolis purpose of the scene in the film. Invertebrates Classification? Watch your sequence through several times and brainstorm the #8217;emotional impact, information (genre, character narrative)#8217;. Complete a textual analysis sheet for of Marjane Satrapi's Persepolis Essay, one or two of the micro areas in invertebrates classification, which you are identifying how the micro technique links to impact information. Satrapi's Persepolis Essay? Please use the maslow, need links below to access the textual analysis sheets. The Complexity Of Marjane Satrapi's Persepolis Essay? You may complete these online or by brothers, printing them out and completing them by hand. The last piece of coursework is the micro analysis.

It#8217;s worth the last 30 marks of The Complexity of Marjane Essay your coursework. A micro analysis requires you to study a sequence from david pelzer, a film in Satrapi's Persepolis Essay, minute detail. You are required to on youth, analyse how the film makers have used#8230; #8230;to communicate meaning to The Complexity of Marjane Essay, an audience. Please note we do not recommend performance analysis essays to students and so no one will be revising this. If you want to be made an exception you must speak to on youth, your teacher they may permit you to review this micro area instead of the The Complexity of Marjane Essay other ones. To Abraham The Highest Need Is ________.? In essence you have to reverse engineer a film and consider how the The Complexity of Marjane Satrapi's characters are represented, how the narrative develops, how the film works in relation to it genre and expectations and david pelzer most importantly how the audience is Satrapi's Persepolis Essay, made to feel respond to the sequence . David? Your job during the next lesson (when we are moderating year 13 coursework) will be to The Complexity Persepolis Essay, revise one of four micro features and find examples of invertebrates classification how they have been used in Satrapi's, this clip from Kill Bill (2003) Tarantino: Some monsters to the one drop rule, thrill, scare and The Complexity Essay delight you. Why do we like to scare ourselves? A key features of any horror film is the monster. Invertebrates Classification? The monster is said to represent the fears, anxieties and The Complexity of Marjane Persepolis Essay concerns of society at that time . Dubliners And Chaucer's? So to The Complexity Persepolis, understand how these British films reflect the Illegal fears of Britain, we have got to The Complexity Essay, understand the monsters that feature in influence, both films. To start developing your understanding we are going to The Complexity of Marjane Satrapi's Persepolis Essay, look at some classic monsters and consider their character as well as what social fear they represent.

In pairs, do some research and develop a monster profile for your allocated monster. Pelzer? Read the Persepolis Essay article on Illegal Immigration: Essays page 56 of of Marjane Persepolis this issue of the Media Magazine and influence find the The Complexity Persepolis Essay following information: What animal appearance did the influence original vampire, Nosferatu, have? What two films from the 60s, named in The Complexity of Marjane Satrapi's, the article, reflected a more #8216;Freudian#8217; approach to horror monsters? What does Freudian mean? What three social changes did horror reflect, between the Immigration: and Effects Essays two world wars? Name four cultural and social changes that were reflected in of Marjane Satrapi's, horror films from the Essay Epiphanies Dubliners 1970s. Name five changes to films and/or the ways which film reflect contemporary audiences in more recent horror films. We#8217;re going to do an essay on the sound and music from this sequence The Return of the The Complexity Jedi (1983) Marquand , from the examples of references beginning to of Marjane Satrapi's Essay, 5.04.

Watch through the according maslow, the highest is ________. clip and make notes using a copy of this document to make your notes. The Complexity Of Marjane Satrapi's? They key to this is to describe the examples of the influence various sounds from of Marjane Persepolis Essay, your text clearly. Here is a blog with some useful ideas about how to the one rule, describe music. The essay title is: How does dialogue, sound effects and The Complexity of Marjane Satrapi's Persepolis Essay music contribute to is personal and professional development, the audience#8217;s understanding of the challenges and dilemmas that Luke faces in his final confrontation with The Emperor and The Complexity Essay Darth Vader in The Return of the Jedi (1983) Marquand? You should write approximately 750 1,000 words.

The deadline is of music on youth, Monday 31st October. Sound is The Complexity of Marjane Persepolis, a vital component of film. You need to of references, be able to describe all the elements of sound that feature in a film. Here is a diagram of those elements that you need to describe and analyse. Here is the The Complexity of Marjane Essay slideshow show we used in pelzer brothers, class to illustrate some of The Complexity of Marjane these features: Studying performance is david, quite tough, but may suit students who are also studying Theatre Studies. Here is the slideshow on the ways to explore Performance in Film: We will be looking at a short sequence from Les Miserables and analysing the The Complexity Persepolis Essay performance of two characters Cosette Madame Thenadier. A useful supercurricular video on what is personal an introduction to Method Acting a very common approach use by of Marjane Satrapi's Persepolis, film actors to examples of references, #8216;inhabit#8217; a character:

If you#8217;re going to study performances, you may do well to The Complexity Satrapi's, choose a film that features some of these great performers.

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Kulehull i pianoet. The Complexity Of Marjane Persepolis. Et essay om musikken pa Utoya om fellesskap og om nye farger. Epiphanies Dubliners Tales. Frank Havroy. 1 Kulehull i pianoet Et essay om musikken på Utøya om fellesskap og om nye farger Frank Havrøy Vi bestemmer oss for The Complexity Satrapi's Essay å synge Bysjan, bysjan lite bån som ekstranummer. Den kan passe. Invertebrates Classification. Konserten er ferdig, vi har sunget oss gjennom et program med klagesanger og menneskelig lidelse. Of Marjane Persepolis. Det har vært en forferdelig påkjenning, mobiltelefonene våre ligger i garderoben og gløder av meldinger som tikker inn i ett sett, den ene meldingen mer uutholdelig enn den forrige. Essay About Epiphanies Dubliners And Chaucer's Tales. Vi står ute i sakristiet et lite øyeblikk, puster ut og går inn i kirkeskipet igjen. Of Marjane Essay. Jeg sier et par ord, ord jeg har glemt i det samme øyeblikk jeg har sagt dem.

Ord som har problemer med å passere svelget og tungen. Influence Of Music On Youth. Publikum er stille. The Complexity Essay. Alle vi seks sangerne i Nordic Voices plasserer oss rundt dem og begynner å synge denne norske vuggevisen. Development. Vi omkranser vårt tyske publikum med overtonesang, naturtoner og norske ord om trøst og hvile. Våre ansikter er hovne, men vi synger. Vi synger og er ett med publikum. The Complexity Persepolis. I denne situasjonen er vi ikke lenger artister og publikum er ikke lenger publikum. De er sammen med oss i denne stunden, vi er sammen med dem, og båndet mellom oss er sangen. Immigration: Causes And Effects. J eg lukker øynene et øyeblikk. The Complexity Of Marjane. Jeg har vært med på dette før.

Jeg har sunget om trøst og hvile og sett publikum smelte foran mine øyne. Det kunne ha vært innbilning den gangen for mange år siden, men det var noe som skjedde der jeg sto med gitaren rundt halsen og sang meg gjennom Night Vision av Suzanne Vega. Essay In Joyce's Canterbury Tales. Det var et av disse øyeblikkene som for alltid skulle forme meg som musiker, en av de første gangene jeg med sikkerhet kan si at of Marjane Satrapi's, jeg følte at jeg og publikum var ett. Immigration: Causes. De var slitne, slitne etter en uke med politiske diskusjoner, teltliv, regnvær, sene kvelder i kafeen med kortspill MUSIKK ETTER 22. The Complexity. JULI SKRIFTSERIE FRA SENTER FOR MUSIKK OG HELSE, VOL 7 NMH-PUBLIKASJONER 2014:5, SIDE 11 23. 2 frank havrøy og sang, alltid sang, nye vennskap, tapt kjærlighet, vunnet kjærlighet, og musikk.

Alltid musikk. Og der var det jeg sto og traff en nerve hos mitt publikum. About Epiphanies Dubliners And Chaucer's Canterbury Tales. I kafeen på Utøya. Men nå er jeg her. I Tyskland. Of Marjane Satrapi's Persepolis. 1 Og jeg tenker at det går en lang linje fra musikeren som hadde sin spede karrièrestart i kafébygget på Utøya til musikeren som avslutter konserten han aldri kommer til å glemme. Influence Of Music On Youth. Det var på Utøya jeg for The Complexity of Marjane Persepolis alvor fikk en scene og et publikum, et publikum som lot oss som kom dit med gitarer og et spedt repertoar få muligheten til å gi av oss selv og eksperimentere med våre egne musikalske krefter.

Utøya var teltliv, politikk, vennskap, kortspill i kafeen, fotballturneringer, Nakenodden (der jeg aldri helt turte å foreslå å skulle gå med noen), kjærlighet som kom og gikk og kom igjen (men for det meste gikk den), sentralstyrets underholdning, kursene, debattene. Illegal And Effects. Og musikk. Alltid musikk. Of Marjane Satrapi's. Sang og musikk. Til enhver anledning. Illegal And Effects Essays. Rundt bålene, i kafeen, ved ethvert arrangement, i Bakken, når Gro Harlem Brundtland kom, når Jens Stoltenberg talte, når kulturkursene presenterte sine produksjoner ved slutten av uka. Alltid sang, alltid musikk. Det var allsang: dette felles språket vi alle hadde. Of Marjane Persepolis. Vi er auf ere. Illegal Immigration: Causes Essays. Jeg kan fremdeles synge sangen, selv om det har gått over of Marjane 25 år siden jeg sang den sist. I siste vers reiste vi oss, tok hverandre i hendene og sang den litt stolprete lyrikken der hender og venner selvsagt rimte.

Alle var med, alle sang og ingen var i tvil om hvor de hørte hjemme. Influence Of Music On Youth. Selv våre fiender i Unge Høyre kunne til en viss grad av og til innrømme at Satrapi's, de var misunnelige på sangen vår og det fellesskapet den bygget opp. Influence On Youth. Mine minner fra Utøya er sentrert rundt musikk. The Complexity Of Marjane Persepolis. Det var musikken som dro meg ut dit, år etter år. What Is Personal Development. Musikken som tonsatte alt som skjedde der. The Complexity Satrapi's Essay. Vi visste ikke alltid hvem som skulle tale, ei heller hva som skulle debatteres, men vi visste at according maslow, the highest is ________., det kom til å bli sang og allsang. The Complexity Of Marjane Persepolis Essay. Det var noe besnærende med denne allsangen. Jeg kunne treffe på et menneske jeg aldri hadde møtt før, men i sangen fant vi en aktivitet vi kunne dele, en aktivitet vi begge kunne, der vi kjente reglene. Sangen bandt oss sammen i et fellesskap.

Der lå mine sterkeste minner fra Utøya, og jeg skjønte det der jeg sto og sang i Tyskland, på en kveld som var så svart som kvelder kan få blitt. Illegal Immigration: Essays. Men disse var mine minner. Satrapi's. Var det slik at andre hadde musikalske minner fra Utøya som stemte overens med mine? Hvilken musikk var det som 1 Konserten det her er referert til var med vokalensemblet Nordic Voices i Evangelische Stadtkirche i Roth, Tyskland. David Brothers. 12. 3 kulehull i pianoet dannet lydsporet til vår tilstedeværelse der, hvilken funksjon hadde den og hvorfor er det slik at mennesker som søker sammen så ofte synger sammen? Lydspor fra Utøya I løpet av min tid i AUF hadde organisasjonen to ledere. Den ene var Turid Birkeland, den andre var Jens Stoltenberg. Jeg bestemte meg for The Complexity Satrapi's Persepolis Essay å intervjue dem 2 for å finne ut noe om deres forhold til musikken på Utøya.

Hvordan stilte de seg til de spørsmålene jeg hadde stilt meg selv om musikkens plass, om lydsporet til aktivitetene på Utøya? På spørsmål til Jens Stoltenberg om hva slags forhold han hadde til musikken på Utøya, svarer han: Mitt forhold til musikk på Utøya er allsang rundt bålet, hvor lyden fra sangen og gitarspillet blandes med bålets knitring. For meg fremstår dette som et ganske romantisk minne, men også et minne som stemmer godt overens med mitt eget. Det sier noe om stemningen, en atmosfære som musikken bygger opp under. Influence. Og så er det allsang. The Complexity Satrapi's Persepolis Essay. Jens sitt minne om musikken er mennesker som synger sammen. Turid Birkeland 3 sin inngang til AUF var på mange måter musikken. About In Joyce's Dubliners. Noe av det første hun gjorde var å være med i en av de mange visegruppene AUF huset. Hun sier om musikken at: for meg er ikke noen av de sterkeste minnene fra Utøya de såkalte politiske verkstedene eller de politiske debattene i Bakken 4, men det er faktisk musikken.

Når man tenker over The Complexity Satrapi's de sakene som stod sentralt i den politiske hverdagen på Utøya, som for and Effects eksempel EU-kampen, så finner jeg hennes minne nesten oppsiktsvekkende. Samtidig beskriver Turid Birkeland, som Jens Stoltenberg, musikken som stemningsskaper: Hva er det som skaper stemningen på Utøya? Det er allsangen, og så er det de som sitter med gitar rundt bålene, og så er det kafeen hvor den ene etter 2 Denne teksten er blant annet basert på intervjuer med Turid Birkeland, Jens Stoltenberg og Renate Tårnes. 3 Turid Birkeland, tidligere leder av AUF, stortingsrepresentant for Arbeiderpartiet, og kulturminister Bakken på Utøya er den store uteplassen fra hovedhuset og opp mot kafébygget. Of Marjane Satrapi's Persepolis Essay. Denne bakken er det stedet der blant annet Arbeiderpartiets ledere i alle år har kommet for maslow, need å tale til leirdeltakerne. 13. 4 frank havrøy den andre kom opp og sang. Of Marjane Persepolis Essay. Jeg husker Monica fra Vestfold som sang.

Jeg kan huske enkeltpersoner. About Canterbury. Det er musikk som tonefølge til menneskelige møter, og det er allsangen. The Complexity Of Marjane Persepolis Essay. Det stemningsskapende er i musikken rundt bålene, i kafeen, det er musikk som forsterkende element i det sosiale. Influence. Turid Birkeland innrømmer at The Complexity of Marjane Satrapi's, det kanskje er romantiserte minner, men hun beskriver også hvordan musikken var til stede nærmest ved alt som skjedde på øya: I enhver fylkesleir med respekt for Epiphanies Dubliners seg selv, så var det en som satt og spilte gitar. Bolsjevika ville ikke vært Bolsjevika om det ikke hadde en som satt og spilte gitar, helst to. The Complexity Satrapi's Essay. Selv de politiske møtene Det var jo ikke en debatt som ikke ble åpnet av allsang i bakken, ikke sant? Og vi hadde, i hvert fall i min tid, mange kulturverksteder i tillegg. Classification. Det vet jeg at det ikke alltid har vært, men i de årene jeg holdt på, så var det det alltid. Folk som kom inn og holdt teater- og musikkverksted, enten det var Trygve Hoff eller det var Tramteater-folk.

Turid Birkeland har alltid vært en politiker som har vært opptatt av kultur. The Complexity Satrapi's. Under hennes ledertid i AUF stod kulturen spesielt sterkt, noe som blant annet kunne ses i de mange organiserte kulturaktivitetene som ble gjennomført på leirene i hennes lederperiode. About Epiphanies And Chaucer's Canterbury Tales. Men samtidig forteller hun også om spontane musikalske aktiviteter som utgjorde en felles plattform og et lydspor til alt det andre som foregikk på øya. Of Marjane Satrapi's Persepolis Essay. Nå er Turid Birkeland og Jens Stoltenberg, sammen med meg, representanter for of music on youth 80-tallets generasjon på Utøya. The Complexity Satrapi's Persepolis Essay. Men også den generasjonen som var der i 2011, var opptatt av musikken.

I tiden etter 2011 ble jeg oppmerksom på et filmopptak av Gro Harlem Brundtlands tale den 22. According To Abraham Maslow, The Highest Need. juli. Of Marjane Satrapi's. Før hun gikk på talerstolen, ledet Renate Tårnes publikum i allsang. Immigration: And Effects Essays. Da jeg så henne, tenkte jeg med en gang at of Marjane Persepolis Essay, hun hadde overtatt min rolle. Invertebrates Classification. Nå var det hun som sto foran og var trubadur, nå var det hun som ledet an The Complexity Persepolis Essay, allsangen. Invertebrates Classification. Hadde det skjedd en forandring siden Turid Birkelands, Jens Stoltenbergs og min tid? På spørsmål om hvilken rolle musikken spilte på Utøya i 2011, svarte Renate Tårnes: 5 Musikken spilte en stor rolle, slik jeg tror den spiller en stor rolle i alle slags sammenhenger. The Complexity Essay. Vi bruker sangen til å si et budskap, til å skape god stemning og ikke minst til å skape en fellesskapsfølelse. Maslow, The Highest Need Is ________.. Sånn tror jeg det har vært lenge, og slik er det ennå. 5 Renate Tårnes (f. The Complexity Satrapi's. 1989), fra Bjugn, er tidligere leder av Sør-Trøndelag AUF og nåværende representant i Bjugn kommunestyre og i Sør-Trøndelag fylkesting.

14. 5 kulehull i pianoet Ifølge Renate Tårnes var musikken høyst viktig også i 2011, den var til stede, slik den var på 80-tallet, ved arrangementene, når hun, som hun sier var oppvarmer for publikum eller ledet dem i allsang. According The Highest Need. Renate Tårnes trekker også fram musikken på Utøya som fellesskapbygger, et lydspor som var til stede under enhver aktivitet. Hva slags musikk var det som utgjorde dette lydsporet? Både Turid Birkeland, Jens Stoltenberg og Renate Tårnes trekker fram allsangen, med andre ord de sangene som utgjør allsangtradisjonen i arbeiderbevegelsen. Men det var også, som Turid Birkeland sier, visetradisjonen som deltakerne på leiren på mange måter hadde arvet fra foreldrene sine.

Det var sanger som Kjærlighetsvisa (Halvdan Sivertsen) og You ve got a friend (Carole King), eller Postgirobyggets Idyll, sangen som Renate Tårnes sang fra scenen bare timer før angrepet. Alle sangene er forholdsvis enkle å spille, enkle å improvisere andre- og tredjestemmer til, og enkle å få andre til å synge med på. Det er to The Complexity Persepolis Essay, funksjoner musikken hadde, og som de alle tre understreker: Det er musikken som stemningsskaper og det er musikken som fellesskapbygger. Hvorfor sang og hvorfor synge sammen? Under minnekonserten i Oslo Domkirke 30. According Need. juli 2011 introduserte Hilde Hummelvoll 6 sangen Til ungdommen 7 (Nordahl Grieg / Otto Mortensen) med å fortelle historien om ungdommene som svømte fra øya og som brukte sangen for of Marjane Essay å finne styrke for å komme seg til fastlandet. Influence Of Music. Tyrifjorden er lumsk, med sterke strømmer og en temperatur som aldri kommer opp på et behagelig nivå, i hvert fall ikke for of Marjane Persepolis en såpass lang svømmetur som denne. About Dubliners Tales. Men historien 8 til disse ungdommene handlet om hvordan de fant styrke i å søke sammen i denne sangen. The Complexity Of Marjane Persepolis. Det var en overlevelsesstrategi, og det var sangen som ble verktøyet.

En sang som så til de grader representerer den allsangtradisjonen som var rotfestet i arbeiderbevegelsen og på Utøya. Invertebrates Classification. På mange måter likner denne historien på Jon Roar Bjørkvolds innledning til boken Det musiske mennesket, der han forteller om sin egen historie om 6 Opptak av hennes introduksjon kan for eksempel finnes her: watch?v=d18fhlav3ua ( ) 7 Se sangtekster bakerst i boka. Satrapi's Persepolis. 8 Tønsberg Blad , nettutgaven: ( ) 15. 6 frank havrøy båtturen i storm som nesten gikk aldeles galt, men der hans datters sang ga ham tilgang til en egen styrke han ikke visste han hadde (Bjørkvold, 2007). Of Music On Youth. Bjørkvolds bok handler om hvordan musikk utløser større krefter i oss, for of Marjane Satrapi's Persepolis eksempel i møte med naturkrefter om bord i en liten båt, eller på svøm fra overhengende fare. According The Highest Is ________.. At mennesker søker sammen for å synge sammen, er godt dokumentert. Det er anslått at The Complexity of Marjane Satrapi's Persepolis Essay, cirka mennesker synger i kor i Norge 9, noe som i tilfelle gjør korbevegelsen til en av de større kulturinstitusjonene i Norge.

Anne Haugland Balsnes (2009) forteller i sin doktoravhandling om hvordan hennes kormedlemmer i Belcanto former sin identitet gjennom å synge og musisere sammen i et fellesskap og derved skaper sterke mellommenneskelige relasjoner. According The Highest Need. Man kan selvsagt argumentere for at man vel så raskt kan bygge slike relasjoner i et fotballag, men det er altså noe med å bruke stemmen som gir noe spesielt. The Complexity Satrapi's Persepolis. Allerede på fosterstadiet kan vi se hvordan barnet reagerer på mors stemme ved at invertebrates classification, hjerteaktiviteten går betydelig ned etter at The Complexity of Marjane, moren har sunget for det (Myskja 1999, s. What And Professional. 37). Bradley (2009) hevder at Persepolis, også 9 måneder gamle mennesker er i stand til å koordinere en vokal musikalsk aktivitet (Bradley 2009, s. About In Joyce's Dubliners Canterbury Tales. 277). Of Marjane. Slike koordinasjonsprosesser finner vi også i kor. Invertebrates. Müller og Lindenberger (2011) har vist at både pust og hjertets aktivitet synkroniseres når mennesker synger sammen, og at resultatene faktisk var klarest når forsøkspersonene sang unisont, altså som en allsang (Müller Lindeberger, 2011, s. Satrapi's Persepolis Essay. 1). Invertebrates. Stemmen er en bærer av emosjoner, en av de kanaler der vi kommuniserer våre følelser til omverdenen. Alle mennesker er født med en trang og en evne til å forstå sin nestes lyder av skiftende følelser (Powers Trevarthen, 2009, s. Of Marjane Essay. 232). According To Abraham The Highest Need Is ________.. Det er nok ikke veldig dristig å foreslå at Satrapi's Essay, en slik trang og evne til å forstå andre mennesker også er sentral for Essay about Dubliners Tales vår overlevelse som art. I det hele tatt, å synge sammen har mange dokumenterte positive effekter, og det virker som om mennesker oppsøker unisone situasjoner helt spontant.

I en guide kalt Singing and The Complexity of Marjane Persepolis Mental Health (2012) gjennomgår en gruppe forskere fra Canterbury Christ Church University en rekke studier og forskningsresultater som underbygger påstandene om at about in Joyce's and Chaucer's Canterbury, synging kan være velgjørende for of Marjane Persepolis menneskers mentale helse. De oppsummerer med at what is personal, sang i grupper kan generere positive følelser, skape grobunn for gode 9 Tallet er et anslag gjort i sin tid av Norges Korforbund, basert på Statistisk sentralbyrå sin undersøkelse Norsk kulturbarometer 2008 (se litteraturliste). Of Marjane Satrapi's. 16. 7 kulehull i pianoet forventninger, gi et bedre selvbilde, øke mestringsfølelse, samt skape sosiale nettverk og struktur (Morrison Clift 2012, s. 8). Det er med andre ord godt dokumentert at sang er nærliggende for invertebrates classification oss mennesker å bruke når vi vil oppnå fellesskapsfølelse med våre medmennesker og også for å rett og slett føle oss bedre. Persepolis. Samtidig er sang en aktivitet vi alle kan bidra til. Is Personal. Instrumentet ligger der for hånden.

Vi trenger ikke lang trening i å synge unisont med andre, spesielt når målet ikke er skjønnsang, men kanskje heller handler om å vise fram en inkluderende kollektivitet. Som Turid Birkeland forteller da jeg spurte henne om hvorfor sangen og det å bruke stemmen sammen blir så sentralt for of Marjane Persepolis fellesskapet, slik som på Utøya: Hva skal vi ellers gripe til? [ ] Hva annet har vi som tusen mennesker kan gjøre samtidig? Det er ut i fra erkjennelsen av sang som fellesskapbygger og sangens funksjon som velgjører at what development, arbeiderbevegelsens allsangtradisjon vokser fram. The Complexity Of Marjane Persepolis. Det er også allsangtradisjonen som står sentralt når vi skal prøve å si noe om musikken på Utøya. Allsang for fellesskapet Allsangtradisjonen er sterk i arbeiderbevegelsen. Den er til stede på stort sett ethvert arrangement, fra små medlemsmøter til store markeringer. Men allsangen, altså den unisone sangen, er ikke noe fenomen som kun tilhører arbeiderbevegelsen.

I religiøse organisasjoner står allsangen også sterkt, den skaper et bånd mellom menneskene, på lik linje med sangen på et møte i Arbeiderpartiet eller LO. Det finnes teorier om at is personal and professional development, til og med grupper av neandertalere brukte en slags sang som et middel for of Marjane Persepolis Essay å styrke gruppetilhørigheten, markere revir og som kommunikasjonsmiddel for eksempel i jakt (Hagen Hammerstein 2009, s. To Abraham The Highest. 312). Satrapi's Persepolis. John Potter nevner i sin bok Vocal Authority at Homer og Athenaeus skriver om sanger som ble sunget av arbeidere (Potter, 1998, s. 6). Invertebrates. Derfra går det en lang linje av kollektiv sang fram til i dag. Vi vet at The Complexity of Marjane Essay, bondehærene sang sammen da bøndene reiste seg mot adelen under bondekrigene i Tyskland i (Kjeldstadli, 2013, s. 8) og at Illegal, korsangen i Frankrike fikk et kraftig oppsving etter revolusjonen i 1789 (Lysdahl, 1995, s. Persepolis. 176). En av de mest kjente sangene som brukes i arbeiderbevegelsen, Din tanke er fri (oversatt av Alf Cranner fra Die Gedanken sind frei), finnes i tidlige versjoner som i 17. 8 frank havrøy sangboken Lieder der Brienzer Mädchen, trykket i Bern mellom 1810 og Allsang, det å synge sammen, har med andre ord vært brukt av mennesker helt siden de først befolket jorden og frem til i dag. Det å gjøre musikk sammen, er viktig for and Effects Essays oss fordi musikken på mange måter ikke er et objekt vi observerer, men en aktivitet vi deltar i. Christopher Small introduserte begrepet to The Complexity Satrapi's Persepolis, music, og mener med det at alle som involveres i en musikalsk prosess, gjør det han kaller musicking (Small, 1998, s. Classification. 50), med andre ord er musikken ikke et objekt, men en prosess i oss og mellom oss. The Complexity Of Marjane Persepolis Essay. Musikken blir dermed viktig for is personal and professional development vår eksistens, eller som Balsnes trekker fram, at The Complexity Satrapi's Persepolis, ved å delta i musikk spiller vi på våre relasjoner til hverandre og verden og får en følelse av hvordan verden er og hvordan man forholder seg til den (Balsnes, 2009, s. Invertebrates Classification. 288).

Det er en sosialisering som løper gjennom all musikalsk aktivitet; det er en aktivitet som også er grunnleggende sosial. The Complexity Of Marjane Essay. Selv om musikk ikke nødvendigvis er den eneste aktiviteten som binder folk sammen, så er ofte sosialt samhold et vanlig resultat av den (Finnegan, 1989, s. 329). Musikalsk aktivitet er sterkt knyttet opp mot utviklingen av identitet. The Highest Is ________.. Det er ikke tilfeldig at The Complexity Satrapi's Persepolis, man på Utøya blant annet finner innslag av visetradisjonen, kampsangene og de sosialt engasjerte tekstene. Det er nok heller ikke tilfeldig at brothers, jeg aldri kan huske å ha hørt en klassisk konsert på Utøya noen gang. Of Marjane Persepolis Essay. Musikken kan virke som et speil på hvordan vi ser oss selv, som om vi finner oss selv bekreftet i musikken (DeNora, 2000, s. And Professional Development. 68), men samtidig konstruerer vi vår identitet gjennom musikken vi oppsøker og opplever. Vi former vår identitet sammen med andre ved at of Marjane Satrapi's Persepolis Essay, vi lar musikkvalget danne inngangen til et større symbolsk verdifellesskap. Når dermed Utøyas musikk i sjangre dreier seg om visetradisjon, kampsang og sosialt engasjerte sangtekster, så blir disse musikalske valgene et speil som forteller om en identitet der sosialt engasjement er viktig, men der også avstand til borgerskapet står sentralt.

Musikken speiler en identitet som sier at pelzer brothers, man engasjerer seg for verdier som symboliserer fellesskap mer enn egoisme. The Complexity Of Marjane. Den første linjen i Vi er Auf ere, er ganske talende i så måte: Skal vi ha kaffe, wienerbrød og egoisme? Nei, røde faner, sang og sosialisme! Ved å avvise kaffe, wienerbrød og egoisme, som jo lett kan assosieres med borgerlige verdier, er det kanskje ikke så rart at den klassiske musikken ikke hørte hjemme på Utøya, og at musikken dermed speiler en identitet 18. 9 kulehull i pianoet som handler om fellesskap, et fellesskap som kommer til uttrykk gjennom allsangen. Classification. Allsang binder mennesker sammen, den skaper et bånd mellom dem. Satrapi's. Det er som Turid Birkeland sier: menneskene i organisasjonen kunne krangle så busta føyk i det ene øyeblikket, men deretter reise seg opp, holde naboens hender høyt i været og synge Stein Ove Bergs Ta hverandre i handa og hold av full hals. Illegal Immigration: And Effects Essays. En slik musikalsk handling fungerte nærmest som en konfliktdemper. Samtidig er det tydelig at The Complexity of Marjane Satrapi's Persepolis Essay, sangen har et budskap.

Allsangen i arbeiderbevegelsen springer ut fra arbeiderbevegelsens tankegods rundt det kollektive, der solidaritet er det store etiske ankeret (Kokkvold, 1981, s. What Is Personal. 14). I motsetning til borgerskapets individfokus, ble det kollektive dyrket. Of Marjane Essay. Tilbake står fellesskapet, og tanken om allsang som møtested for å skape et fellesskap. Samtidig skal det jo også sies at classification, tanken om å viske ut det individuelle og å dyrke det kollektive, har vært utviklet til det ekstreme og utgjort tankegods som også har representert mørke samfunnskrefter. The Complexity Of Marjane Satrapi's. Allsang har vært ett av elementene som har vært brukt for både å oppildne og indoktrinere mennesker. Illegal Immigration: Essays. Men, allsangen og den felles sangtradisjonen som er i arbeiderbevegelsen og som preget Utøya, bærer med seg en aktivitet som alle kan delta i. The Complexity Satrapi's. Reglene er enkle, sangene bærer ikke med seg store estetiske krav, og alle bidrar med de kreftene de har. En allsangaktivitet bærer også med seg en form for eksklusivitet. About. Det er sanger som i utgangspunktet kun de innvidde kan, og aktiviteten innebærer regler for fremføringen som utenforstående til en viss grad ikke har tilgang til. Of Marjane Essay. På den måten styrker den også båndene til de som er innenfor. Classification. Sangen på Utøya fellesskap, stemningsskaper og fortrøstning I 2010 deltok jeg på min siste organiserte samling på Utøya.

Sammen med mitt gamle kor fra AUF-tiden var jeg til stede under Veterantreffet som ble arrangert i forbindelse med 60-årsjubileet for The Complexity Persepolis overrekkelsen av Utøya fra fagbevegelsen til AUF. Etter vår opptreden, sa Jens Stoltenberg: 19. 10 frank havrøy Jeg talte her i dag, og mange andre talte her i dag om alle minnene vi har, om vennskap og tilhørigheten vi har til Utøya. Of Music On Youth. Men jeg er redd for at The Complexity of Marjane Persepolis, det ikke er mine taler folk husker. Influence. De husker ikke noen ting av hva jeg sa.

Men de husker sangene dere sang. Persepolis Essay. Rytmene og følelsene de utløste. David Brothers. Så sangen dere formidlet til oss i dag er en viktig del av vår felles identitet (Moen Giske, 2012, s. 238) På mange måter sier Jens Stoltenberg noe av det samme som Turid Birkeland, at Essay, det er atmosfæren og musikken som sitter sterkest igjen i minnet. Essay About Dubliners Tales. Han er også tydelig på å understreke Utøya som politisk verksted, slik han sa det i NRK-dokumentaren Historien om en øy: Man kan bare forstå Utøya som et politisk sted, en politisk skolering og et sted der mennesker møtes, der det blir et fellesskap og der det menneskelige flyter sammen med det politiske. Of Marjane Satrapi's Persepolis. Det er ikke vanskelig å oppfatte musikken som en del av det Jens Stoltenberg kaller det menneskelige. Of Music On Youth. Både Turid Birkeland, Jens Stoltenberg og Renate Tårnes beskriver musikken på Utøya som en fellesskapbygger og stemningsskaper, enten den nå spilte sin rolle i allsangen, som kollektiv hukommelse eller som lydspor til samling rundt bålet i leirene eller ved stranden i Bolsjevika.

Det var allsangen, det var visetradisjonen, det var, som Turid Birkeland sier det, Dylan og Sivertsen, eller, som i 2011, Postgirobygget. The Complexity Of Marjane Essay. Alle disse sangene som lot seg synge med enkle gitargrep og unge stemmer. Moen og Giske skriver (ibid., s. Of Music. 204): Utøya har alltid hatt sine egne gitarhelter. Essay. Hver generasjon vil huske den eller de som enten fikk eller tok rollen som entertainer ved leirbålet, som ledet allsangen i Kafébygget og nederst i bakken. What And Professional. Selv var jeg en av disse. The Complexity Of Marjane Essay. Jeg var ingen retoriker, ingen politikerspire. For meg var det musikken på Utøya som lokket. Influence. For meg var det sjansen til å komme til et sted der jeg ble lyttet til som musiker, et sted der jeg fikk sjansen til å prøve ut mine egne krefter sammen med andre, og samtidig et sted der jeg fikk spille ut mitt beste sjekketriks med gitar på kneet rundt et leirbål.

Det var allsang, det var viser, det var en åpenhet for de som ville prøve seg som musikere for The Complexity of Marjane et velvillig og lyttende publikum. Influence. Utøya var et bevis på at Essay, mennesker søker sammen i sang, et sted der sangen fungerte som et bånd mellom mennesker fra vidt forskjellige miljøer og steder i landet. Essay Canterbury. Historien til Renate Tårnes forteller at of Marjane Persepolis Essay, dette musikalske limet var til stede også i Det går en lang linje fra den spede starten jeg som musiker opplevde på Utøya sent på 80-tallet til den musikeren som stod og sang for sitt tyske 20. 11 kulehull i pianoet publikum denne julidagen i Det var et stille publikum, et publikum som ble ett med oss i vår sang. Is Personal. Sangen fungerte som fortrøstning, som båndet mellom oss. The Complexity Persepolis Essay. Vi hadde aldri klart det samme om vi kun hadde snakket med publikummet vårt. Illegal Causes And Effects. Vi mennesker søker sammen i sang. The Complexity Satrapi's Essay. Det er noe av det næreste i oss, det binder oss sammen på en grunnleggende måte. Pelzer Brothers. Når Turid Birkeland spør hva annet skal vi gripe til?, så har hun et poeng. Det er ikke tilfeldig at vi griper til sangen i etterkant av det som skjedde. The Complexity Of Marjane Satrapi's Persepolis Essay. Til ungdommen har fått en annen mening, på samme måte som jeg opplever Bysjan, bysjan lite bån annerledes etter å ha sunget den i Tyskland den 22. Invertebrates. juli.

Jens Stoltenberg sier det samme til meg, at The Complexity of Marjane Persepolis, mange av sangene har fått en sterkere betydning. Is Personal And Professional. Renate Tårnes ordlegger seg slik: En del av musikken vil aldri bli det samme igjen. Enkelte sanger er vanskelig å synge, andre gir meg stor glede og andre kan jeg ikke høre en tone av før jeg griner. Til ungdommen ble et sterkt symbol, både fordi den bar med seg en uhyre kraftfull historie fra den dagen og fordi den representerte Utøyas lange musikktradisjon; fra diktet ble skrevet som en protest mot forsøkene fra Nasjonal Samlings Ungdomsorganisasjon på å kaste styret i Norsk Studentforening i 1936 til den ble en av de viktigste allsangene på Utøya. Slik er sangene blitt forandret med tiden. Of Marjane Essay. Slik bærer Til ungdommen nå en ny farge, en ny dybde. Piano med kulehull På Utøya står det et piano. Invertebrates. Jeg husker godt da det kom ut dit.

Vi hadde ønsket oss et piano lenge, men det fantes ikke økonomi til det. The Complexity Of Marjane Persepolis. Det viste seg vel at vi som maste ikke var høyt nok oppe i hierarkiet, for of music det var først da noen av de tilreisende musikkjendisene spurte om det samme, at pianoet ble fløyet ut til øya. I april 2012 reiste jeg til Utøya igjen. I kafébygget sto det ennå, og jeg prøvde et par stille akkorder på instrumentet. The Complexity Of Marjane Essay. En ting var at det låt forferdelig ustemt. According To Abraham Maslow, The Highest Need. Noe helt annet var at The Complexity Satrapi's Persepolis Essay, instrumentet nå var preget av en rekke kulehull. What And Professional. Klangene jeg la var de samme som for of Marjane Essay 25 år siden, men det låt annerledes. And Professional Development. Som Til ungdommen hadde pianoet nå en annen farge, en ny dybde og en annen mening. 21. 12 frank havrøy Musikken på Utøya har vært uhyre viktig for Persepolis Essay veldig mange mennesker. Den har vært bindemiddel for what is personal and professional development de mange tusener av ungdommer som har besøkt øya, den har løftet fram et fellesskap og en kollektivitet som har lange tradisjoner i arbeiderbevegelsen.

Den har virket som stemningsskaper og historieforteller. Musikken på Utøya og den rollen noen av disse sangene har fått i ettertid, sier noe om musikkens betydning for The Complexity of Marjane Satrapi's oss mennesker. Den sier noe om hvordan musikk og kanskje spesielt sang, er så nærliggende å gripe til når vi ønsker å komme nærmere hverandre, oppleve fellesskap og skape nye farger og dypere samspill mellom oss. Referanser Balsnes, A. H. Invertebrates Classification. (2009). Å lære i kor. The Complexity Of Marjane. Belcanto som praksisfellesskap, Avhandling for influence of music on youth graden PhD. Of Marjane Satrapi's Persepolis Essay. Oslo: Norges musikkhøgskole. Bjørkvold, J. Brothers. R. Of Marjane Persepolis Essay. (2007). Influence Of Music On Youth. Det musiske mennesket, Oslo: Freidig Forlag. The Complexity Satrapi's Essay. Bradley, B. S. (2009). Immigration: Causes. Early Trios: Patterns of The Complexity Persepolis sound and according to abraham is ________. movement in The Complexity of Marjane the genesis of david meaning between infants. Of Marjane. I S. According To Abraham Need. Mallock C. The Complexity Satrapi's Essay. Trevarthen (Red.).

Communicative Musicality. Exploring the basis of invertebrates human companionship (ss ). Oxford; Oxford University Press. Of Marjane Satrapi's Persepolis Essay. DeNora, T. Of Music. (2000). Music in Everyday Life. The Complexity Of Marjane Essay. Cambridge: Cambridge University Press. Finnegan, R. Influence On Youth. (1989).

The Hidden Musicians, Music-making in an English Town. Cambridge: Cambridge University Press. Of Marjane Satrapi's Essay. Hagen, E. About In Joyce's Canterbury Tales. H. The Complexity Of Marjane. Hammerstein, P. About In Joyce's Dubliners Canterbury Tales. (2009). Of Marjane Satrapi's Essay. Did Neanderthals and about Epiphanies in Joyce's Dubliners and Chaucer's other early humans sing? Seeking the Persepolis Essay biological roots of according to abraham the highest is ________. music in Essay the territorial advertisements of primates, lions, hyenas, and Illegal Causes wolves. The Complexity Persepolis Essay. Musicae Scientiae, special issue , Finland: University of Jyväskylä. Kjeldstadli, K. To Abraham The Highest Need. (2013). Satrapi's Persepolis. Fagbevegelsens sangbok, forord i Gå inn i din tid. Pelzer. Oslo: LO og Fagforbundet. Of Marjane Satrapi's Essay. Kokkvoll, A. Essay Epiphanies In Joyce's Dubliners And Chaucer's Canterbury. (1981). Of Marjane Satrapi's. Av og for according to abraham need is ________. det arbeidene folk: Streif i arbeiderbevegelsens kulturhistorie.

Oslo: Tiden. The Complexity Persepolis Essay. Lysdahl, A. Invertebrates Classification. J. The Complexity. K. David Brothers. (1995). The Complexity Satrapi's Essay. Sangen har lysning: Studentersang i Norge på tallet. Oslo: Solum. Influence. Moen, J. S. Giske, T. Of Marjane Persepolis Essay. (2012). According The Highest. Utøya: en biografi. Oslo: Gyldendal. The Complexity Of Marjane Satrapi's. 22. 13 kulehull i pianoet Morrison, I. David Brothers. Clift, S. The Complexity Satrapi's Persepolis. (2012).

Singing and Mental Health. Kent: Canterbury Christ Church University Centre. Influence Of Music On Youth. Müller, V. Lindenberger, U. The Complexity Persepolis. (2011). Cardiac and to abraham maslow, the highest need Respiratory Patterns Synchronize between persons during Choir Singing. Of Marjane Persepolis Essay. PLOS One, 6 (9). Illegal Immigration: And Effects Essays. San Fransisco: Myskja, A. (1999). The Complexity Essay. Den musiske medisin.

Lyd og musikk som terapi. Classification. Oslo: Grøndahl og Dreyer. Potter, J. (1998). Vocal Authority: Singing Style and The Complexity of Marjane Essay Ideology. David Pelzer Brothers. Cambridge: Cambridge University Press. Persepolis. Powers, N. David. Trevarthen, C. (2009). Voices of The Complexity Satrapi's shared emotions and meaning: Young infants and of music their mothers in The Complexity Satrapi's Essay Scotland and what development Japan. I S. The Complexity Persepolis. Mallock C. Trevarthen (Red.). David. Communicative Musicality.

Exploring the of Marjane Persepolis Essay basis of what is personal and professional human companionship, Oxford: Oxford University Press. Of Marjane Satrapi's Essay. Small, C. (1998). Essay About Dubliners And Chaucer's Canterbury Tales. Musicking. The Complexity Of Marjane Satrapi's Persepolis. The Meanings of Performing and pelzer brothers Listening. Of Marjane. Middletown: Wesleyan University Press. Invertebrates. Vaage, O. Of Marjane. F. On Youth. (2008). The Complexity Of Marjane Satrapi's Persepolis. Norsk kulturbarometer Oslo: Statistisk sentralbyrå. Of Music On Youth. 23.

Redaktorer: Jan Sverre Knudsen Marie Strand Skanland Gro Trondalen Musikk etter 22. The Complexity Satrapi's Persepolis. juli Musikk etter 22. Invertebrates. juli Skriftserie fra Senter for musikk og helse, vol. The Complexity Persepolis. 7 NMH-publikasjoner 2014:5 Musikk etter 22. Vurdering av prosjekt Musikk Ilsvika smabarn, 2015. Vurdering av prosjekt Musikk Ilsvika smabarn, 2015 Denne maneden vil vi vurdere prosjektet vart om musikk som vi startet i oktober. Malene med prosjektet var: Barna skal fa oppleve ulike rytmer a bevege. Arsplan for musikk 10-trinn, 2013/2014 L?rer: Erlend Alm Lerstad. ARSPLAN MUSIKK 10-TRINN Arsplan for Immigration: Causes musikk 10-trinn, 2013/2014 L?rer: Erlend Alm Lerstad Grunnleggende ferdigheter i faget (fra Kunnskapsloftet) Grunnleggende ferdigheter er integrert i der de bidrar til. Musikkprosjekt Skytta demenssenter Rapport juni 2014 «Med sofaen som musikkscene» Musikkprosjekt Skytta demenssenter Rapport juni 2014 «Med sofaen som musikkscene» Juni 2014 Bente Sande Granberg, Trude Hande Hjelset og Heidi Mette Karlsnes Foto: Rita Romskaug 1 Innholdsfortegnelse Innledning.

Kim Trym. med hjemlengsel og utferdstrang. The Complexity Satrapi's Persepolis Essay. Konsert for influence on youth 1. - 7. Persepolis Essay. arstrinn. Illegal Immigration: Causes And Effects. Kim Andre Rysstad (sang) / Trym Bjonnes (sang, gitarer, perkusjon, loops) 2010 2011 Kim Trym med hjemlengsel og utferdstrang Kim Andre Rysstad (sang) / Trym Bjonnes (sang, gitarer, perkusjon, loops) Konsert for 1. Satrapi's Essay. - 7. Influence On Youth. arstrinn : Kim Trym programmet To unge musikere vokste. PEDAGOGISK TILBAKEBLIKK SOLJE, JANUAR, 2016. Of Marjane Persepolis. Hei alle sammen og takk for influence of music en fin start pa 2016. Det er noen herlige barn som gar pa Solje og vi er heldige som far tilbringe dagen sammen med dem. Of Marjane Satrapi's Essay. Gjennom. Arsplan Musikk 1. Epiphanies Dubliners. kl Byskogen skole 2012/2013. Arsplan Musikk 1. The Complexity Persepolis Essay. kl Byskogen skole 2012/2013 Musikk Formal med faget Alle barn, unge og voksne i vart samfunn har et forhold til musikk.

Musikk brukes i mange forskjellige sammenhenger og har dermed ulike. Aktiviteter pa Dansebandfestivalen. D?nseb?ndet med Arnstein i spissen sorget for at Causes, det ble liv pa dansegulvet pa Cafeen. Aktiviteter pa Dansebandfestivalen D?nseb?ndet med Arnstein i spissen sorget for at The Complexity of Marjane Satrapi's Essay, det ble liv pa dansegulvet pa Cafeen. Causes. Torsdagen 7/7-05 Denne uken ble turen lagt til Telemark, bestemt Seljord. The Complexity Of Marjane Satrapi's Persepolis Essay. Dansebandfestivalen. Minnebok 1 BOKMAL Minnebok Dette lille heftet er til dere som har mistet noen dere er glad i. Pelzer. Det handler om livet og doden, og en god del om hvordan vi kan kjenne det inni oss nar noen dor. Satrapi's. Nar vi er. DEN NORSKE KIRKE Kopervik menighet. DEN NORSKE KIRKE Kopervik menighet Lokal plan for kirkemusikk i Kopervik menighet Innledning I folge Kirkeloven 9, 2.ledd, er det na palagt at pelzer, hver menighet har en egen lokal plan for The Complexity Satrapi's Essay kirkemusikk.

Med. Musisere Hovedomradet musisere har musikkopplevelse, forstatt bade som estetisk opplevelse og eksistensiell erfaring, som faglig fokus. And Professional. Hovedomradet omfatter praktisk arbeid med sang, spill pa ulike instrumenter. Tor Fretheim. Kj?re Miss Nina Simone. Tor Fretheim Kj?re Miss Nina Simone FAMILIEN De trodde det ikke. The Complexity Of Marjane Satrapi's Persepolis. De klarte ikke a forsta at influence of music on youth, det var sant.

Ingen hadde noen gang kunnet tenke seg at noe slikt skulle skje. Sant hender andre steder. Persepolis Essay. Det. Forslag til for- og etterarbeid i forbindelse med skolekonserten. Forslag til for- og etterarbeid i forbindelse med skolekonserten Mister E in concert Her er l?rerveiledningen til konserten Mister E in Concert, skrevet av Etienne Borgers for influence of music barn mellom 6 og 12 ar.

Det. - Tegne, rable og male - Se pa bilder og film - Bygge og forme - Legge puslespill og lose oppgaver - Bruke/se form og farger - Dagdromme - Gjenkjenne detaljer - Orientere deg inne og ute - Skape og bruke. Det star skrevet i evangeliet etter Matteus i det 26. The Complexity Of Marjane Satrapi's Essay. Kapittel: Preken 17. Development. Februar 2013 1. The Complexity Satrapi's Persepolis. sondag i fastetiden Kapellan Elisabeth Lund Det star skrevet i evangeliet etter Matteus i det 26. Pelzer. Kapittel: Sa kom Jesus sammen med disiplene til et sted som heter Getsemane, Arsplan for musikk 9. The Complexity Of Marjane Persepolis. trinn, 2013/2014 L?rere: Erlend Alm Lerstad og Alice Fagerdal. Arsplan for musikk 9. Essay About And Chaucer's Canterbury. trinn, 2013/2014 L?rere: Erlend Alm Lerstad og Alice Fagerdal Grunnleggende ferdigheter i faget (fra Kunnskapsloftet) Grunnleggende ferdigheter er integrert i der de bidrar til utvikling. Rapport til Norsk Folkehogskolerad. Pedagogisk utviklingsarbeid ved Toneheim folkehogskole i 2006. Rapport til Norsk Folkehogskolerad Pedagogisk utviklingsarbeid ved Toneheim folkehogskole i 2006 Innholdsfortegnelse Innledning.

3 Utviklingsarbeid ved Toneheim folkehogskole i 2006. The Complexity Of Marjane Essay. 4 Elevsamtaler. Manedsbrev fra Revehiet Mars 2015. Manedsbrev fra Revehiet Mars 2015 Viktige datoer i mars: 10/3: Petter fyller 6 ar!! 10/3: Barnehagedagen, tema er «Vi vil ut»! Vi feirer med natursti ute i skogen. 11/3: Ida fyller 4 ar!! 24/3: Max fyller. Preken 8. Essay About In Joyce's Canterbury. mai 2016.

Sondag for The Complexity of Marjane Satrapi's pinse. Invertebrates Classification. Kapellan Elisabeth Lund. Satrapi's Persepolis. Joh. Essay Dubliners And Chaucer's Tales. 16, 12-15. Preken 8. The Complexity Satrapi's Essay. mai 2016 Sondag for pinse Kapellan Elisabeth Lund Joh. Influence Of Music. 16, 12-15 Enna har jeg mye a si dere, sa Jesus til disiplene.

Men dere kan ikke b?re det na. Satrapi's Essay. Det er begrensa hvor mye vi mennesker klarer. Arsplan Musikk 2014 2015 Arstrinn: 3. arstrinn L?rere: Ida Myrvang, Arsplan Musikk 2014 2015 Arstrinn: 3. In Joyce's Dubliners Tales. arstrinn L?rere: Eli Aanensen, Elisabeth B. Langeland, Akersveien 4, 0177 OSLO Kirsten G. The Complexity Satrapi's. Varkoy og Karianne F. Epiphanies In Joyce's Dubliners Tales. Moen Tlf: 23 29 25 00 Kompetansemal Tids-punkt. Telle i kor steg pa 120 fra 120 Erfaringer fra utproving Erfaringene som er beskrevet i det folgende er gjort med l?rere og elever som gjennomforer denne typen aktivitet for forste gang. The Complexity Of Marjane Essay. Det var fire erfarne. Arsplan i 7. Classification. klasse musikk 2016-2017 Antall timer pr uke: 2 L?rer: Laila Ween L?reverk: Musikkisum7, Cappelen. Of Marjane Persepolis. Delks Salmebok og Pris hans navn. Invertebrates Classification. Barnesalmeboka, og annet relevant sangstoff i samarbeid. Det star skrevet hos evangelisten Matteus i det 28. Of Marjane Satrapi's Persepolis Essay. Kapittel:

Preken 5. Brothers. april 2015 Paskedag Kapellan Elisabeth Lund Det star skrevet hos evangelisten Matteus i det 28. The Complexity Essay. Kapittel: Da sabbaten var over according to abraham the highest need is ________. og det begynte a lysne den forste dagen i uken, kom Maria Magdalena. Musikalsk CV CAROLINE ROSTE. Fra Os i Osterdalen Sanger. Musikalsk CV CAROLINE ROSTE Fra Os i Osterdalen Sanger Mal og drommer Langsiktig mal Hovedmalet mitt har til na forst og fremst v?rt a ha det goy med musikken. The Complexity Of Marjane Persepolis. Min storste drom er a na sa langt som mulig. I dansen ogsa. Hovedtekst: 1 Mos 1,26-31. Evangelietekst: Joh 2,1-11. Of Music. NT tekst: Ap 21,1-6. The Complexity Essay. Barnas tekst: Luk 2,40-52.

3. David. sondag i apenbaringstiden (19. januar) Hovedtekst: 1 Mos 1,26-31 Evangelietekst: Joh 2,1-11 NT tekst: Ap 21,1-6 Barnas tekst: Luk 2,40-52 I dansen ogsa 14 S o n d a g e n s t e k s t F OR V O K S N. Hekta pa musikk. Konferanse om musikk, deltagelse og barnevern, 4. Satrapi's Persepolis Essay. desember 2014 Hogskolen i Oslo og Akershus Monika Overa. Hekta pa musikk Konferanse om musikk, deltagelse og barnevern, 4. What Is Personal Development. desember 2014 Hogskolen i Oslo og Akershus Monika Overa Musikkterapeut ved Akershus Universitetssykehus Ahus, Seksjon IR For musikkterapigruppa. Tekst: Eirik Svenke Solum, Foto: Fredrik Blom/ Joacim Jorgensen, one people. Persepolis. 1 2013 visjon 17. 16 Prayer One En musikalsk verdensbonn for Essay about in Joyce's Tales fred. Det var det Asmund Gylder onsket a skape da han samlet artister og bidragsytere fra hele verden i One Prayer-prosjektet.

Det har blitt til en 40 minutter. L?RER: For en smart gutt! Tenk at du bare er 12 ar og kan stille sa kloke sporsmal! Jesus som tolvaring i tempelet Lukas 2, 41-52 Alternativ 1: Rollespill/ dramatisering Sted: Nasaret (plakat) og Jerusalem (plakat) Roller: Forteller/ leder Jesus Josef Maria Familie Venner L?rer FORTELLER: ABC 12345678910 ABCDEFGHIJKLMNOPQRSTUVWXYZ?OA Forste gang vi hadde forskolegruppe var det viktig a fa frem hva barna tenkte om det a v?re forskolebarn og hva barna tenker er viktig nar vi har en slik gruppe. Du er med dette invitert til a v?re. Du er med dette invitert til a v?re i Skedsmo kirke! Hva er konfirmasjonen?

Konfirmasjonen er et undervisningstilbud som avsluttes med en forbonnsgudstjeneste. Ordet konfirmasjon kommer av det latinske. Hovedomrade: Muntlige tekster, Sprak og kultur. UNDERVISNINGSOPPLEGG TIL LNUs NETTSIDE FORSIDEARK Trinn: VG3 Tema: Lyrikkkafe i mellomkrigstiden Hovedomrade: Muntlige tekster, Sprak og kultur Kompetansemal: sette sammen og framfore et avgrenset skjonnlitter?rt. Periodeplan for The Complexity of Marjane Essay januar til juni 2011. Storetveit barnehage Periodeplan for januar til juni 2011 Godt nyttar til alle! Vi er na klar for according maslow, the highest need is ________. a fortsette vart prosjekt: Sprakglede i en mangfoldig barnehage. Fra august til desember 2010 la vart. PROGRAM VARKONSERT I ST.MIKAEL KATOLSKE KIRKE I MOSS 09.04.2016 kl.

16:00. PROGRAM VARKONSERT I ST.MIKAEL KATOLSKE KIRKE I MOSS 09.04.2016 kl. The Complexity Persepolis Essay. 16:00 Hjertelig velkommen alle sangervenner og publikum Mannskoret MAS inviterer til varkonsert og har i den forbindelse invitert Moss. Er du blant dem som pleier a lengte etter varen? Lengter du etter a kjenne varmen fra solen, se knopper pa tr?rne, pinseliljer i full blomst? Husker du sommervarmen i forrige uke? Vi apnet doren, tok kaffien. Halvarsplan for classification Innset og Vonheim barnehager, Avdeling Kjillarstuggu.

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2010 2011 Frevo gitarhelter Artist - instrument Konsert for 8. Invertebrates. - 10. arstrinn Oslo kommune Utdanningsetaten : Frevo programmet Hva kjennetegner en gitarhelt? Et kjent riff? Ma man v?re en god gitarist. Mellom liten og stor Tonar og ord. Synnove Kvile Hogskulelektor ved musikkseksjonen, Hogskulen Stord/Haugesund. Mellom liten og stor Tonar og ord Synnove Kvile Hogskulelektor ved musikkseksjonen, Hogskulen Stord/Haugesund Utdrag fra ein observert skulekonsert Illustrasjonsfoto: Lars Opstad/Rikskonsertene Kva for.

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Party! Ingunn Aamodt Marlena Evensen Party! KAFEEN 1 «Hva om vi fikser en fest til helga?» spor Minda liksom tilfeldig og ser pa Emma og meg over Essay in Joyce's Dubliners Canterbury Tales bordet. The Complexity Satrapi's Essay. Kafeen er nesten tom, slik den ofte har v?rt i det siste. Preken 6. Influence Of Music. april 2015.

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Hagen i ditt Sinn. Of Marjane Satrapi's Persepolis Essay. #1. Brian Kocourek, Pastor Grace Fellowship. Januar 25, 1997. To Abraham. Matt 13,24-30 24. Han la ogsa fram en annen lignelse for dem og sa: Himlenes rike. MANEDSPLAN FOR MANEN mars 2015 UKE MANDAG TIRSDAG ONSDAG TORSDAG FREDAG 10 2 3 4 Tur i n?rmiljoet 5 Vannleik pa vannrommet 6 Vannleik pa vannrommet Formingsaktivitet/samling MAT Smoremaltid Matpakke Matpakke. Roald Dahl. The Complexity Satrapi's Persepolis Essay. Matilda. About Epiphanies In Joyce's Canterbury. Illustrert av Quentin Blake.

Oversatt av Tor Edvin Dahl. Roald Dahl Matilda Illustrert av Quentin Blake Oversatt av Tor Edvin Dahl Kapittel 1 Bokleseren Det er noe merkelig med foreldre. Of Marjane Satrapi's. Selv nar barnet deres er sa ufyselig at Essay about Epiphanies in Joyce's and Chaucer's, du knapt kan tro det, synes de. KURS FOR BARN Hvor tar minnene veien. Heidi Tanum Innlevert oppgave til ks-utdanning. The Complexity Persepolis. KURS FOR BARN Hvor tar minnene veien Krisesenteret i Vestfold har forpliktet seg pa a jobbe godt med barn. Influence On Youth. Vi har flere ansatte med barnefaglig kompetanse, Kapittel 11 Setninger 11.1 For var det annerledes.

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Oslo musikk- og kulturskole Fagplan for is personal and professional saksofon Innledning 1. Of Marjane Essay. Innhold 1.1. Maslow, Need. Begynnerundervisning 1.2. Arbeidsmater og oving 1.3. Repertoar Begynnerniva Mellomnviva Viderekommet niva 1.4. The Complexity Of Marjane Satrapi's Persepolis Essay. L?ringsaktiviteter. Kunsten i gangene er ogsa preget av vinteren. 3. Immigration: Causes And Effects. trinn har laget fine collagebilder.

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Hva. Avspenning A leve med tungpust 5 Avspenning Denne informasjonen er laget for a hjelpe deg a handtere tung pust. Hvis pusten er i forverring eller du erfarer pustebesv?r som en ny plage, er det viktig at. R E B B E s L I L L E G I T A R H E F T E. R E B B E s L I L L E G I T A R H E F T E versjon 2.0 21 januar 2013 Til gitarelevene ved Hammerfest kulturskole Av Lars Rune Rebbestad Kontakt: Mobil: 900 91 531 - Epost: lars.rune@rebbestad.no - Nettside: Grunnleggende ferdigheter: Grunnleggende ferdigheter er integrert i kompetansemalene der de bidrar til utvikling av og er en del av fagkompetansen. A kunne uttrykke seg muntlig i musikk inneb?rer a synge, SPRAKGLEDE I KLEM BARNEHAGE Sprakstimulering er en av de viktigste oppgavene for Immigration: Causes barnehagen.

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Na skal du fa hore noe rart. Invertebrates. Det er ei fortelling om. Bjorn Ingvaldsen Far din Far din, sa han. Satrapi's. Det sto en svart bil i veien. En helt vanlig bil. Stasjonsvogn. The Highest. Men den sto midt i veien og sperret all trafikk. Satrapi's Persepolis Essay. Jeg var pa vei hjem fra skolen, var sein, hadde. PERIODEPLAN HOMPETITTEN VARHALVARET 2012. Invertebrates. http://lokkeveien.modum.kommune.no/ PERIODEPLAN HOMPETITTEN VARHALVARET 2012 http://lokkeveien.modum.kommune.no/ Innledning Godt nytt ar til alle! Vi ser frem til a starte pa varhalvaret, og vi fortsetter det pedagogiske arbeidet med ekstra.

Manedsbrev fra Harelabben November 2013. Manedsbrev fra Harelabben November 2013 Tilbakeblikk pa oktober: Oktober har gitt oss host pa sitt beste, med sol, flotte farger, mild temperatur, og ikke minst gode hverdager i naturen Elgjakta har vi. Velkommen til. Essay. Det magiske ordet er: Jeg vil! Med dette Sesam-Sesam kan du lukke opp de storste berg (Hans Borli) Velkommen til KULTURSKOLEN i eidskog Det magiske ordet er: Jeg vil! Med dette Sesam-Sesam kan du lukke opp de storste berg (Hans Borli) Det du l?rer hos oss kan du fa brukt i mange sammenhenger. Classification. Foruten. Periodeplan Januar- Mars 2009 Innledning Ett nytt ar har begynt og vi ser frem til a oppleve mye spennende de neste 3 maneder inne pa Konglius. The Complexity Of Marjane Satrapi's Persepolis Essay. I denne planen vil vi ga igjennom hvordan vi arbeider pa. Preken 31. Is Personal Development. mars 2013 Paskedag Kapellan Elisabeth Lund.

Preken 31. Of Marjane Satrapi's Persepolis. mars 2013 Paskedag Kapellan Elisabeth Lund Dette hellige evangelium star skrevet i evangeliet etter Johannes i det 20. Influence Of Music On Youth. kapittel: Tidlig om morgenen den forste dagen i uken, mens det enna er. 2016 Hvis dine orer henger ned! Fokus pa voksenrollen Bakgrunn for The Complexity Persepolis Essay valg av prosjekt Da vi satte oss ned for a diskutere mulige prosjekter, startet vi med a se tilbake pa hvilke prosjekter vi har hatt tidligere, Uteliv kombinert med kunst, kultur og kreativitet. PROSJEKTTITTEL «Uteliv kombinert med kunst, kultur og kreativitet» - Samarbeid med eksterne fagpersoner fra Universitetet i Nordland. FORANKRING I RAMMEPLANEN «Barnehagen skal formidle verdier og kultur, ARSPLAN I MUSIKK 5. About Epiphanies In Joyce's Dubliners. 7. TRINN BREIVIKBOTN SKOLE 2013-2014. ARSPLAN I MUSIKK 5. The Complexity Satrapi's Persepolis. 7. TRINN BREIVIKBOTN SKOLE 2013-2014 L?rer: Knut Brattfjord og Hege Skogly L?reverk: Ingen spesifikke l?reverk Malene er fra L?rerplanverket for kunnskapsloftet 2006 og vektlegger hva. Arsplan musikk 3. trinn 2016/ 2017 Tidspunkt (uke) Kompetansemal: (punkter fra K-06) Delmal: Arbeidsmetode: Vurderingsmetode: Hele aret (Julesanger: 48, 49, 50, 51) - Beherske et sangrepertoar fra ulike. Nytt fra volontorene. Media og jungeltelegrafen.

NUMMER 3 Nytt fra volontorene Nytt fra april 2011 I dette nummeret 1 Media og jungeltelegrafen 2 Hundvag bydelshus 3 Metropolis 4 Tasta bydelshus 5 Bekkefaret bydelshus 5 Neste maned Media og jungeltelegrafen. Muntlige ferdigheter A kunne skrive A kunne lese A kunne regne Digitale ferdigheter. Formal med faget: Alle barn, unge og voksne i vart samfunn har et forhold til musikk. Essay About In Joyce's Dubliners Tales. Musikk brukes i mange forskjellige sammenhenger og har dermed ulike funksjoner og ogsa ulik betydning for The Complexity of Marjane Satrapi's Persepolis Essay hver enkelt. : Frevo. Of Music. Produksjonsnummer: 109H112 Oslo.

: Frevo Produksjonsnummer: 109H112 Oslo SPORSMAL OM TURNEPLANEN Turneplanlegger Ole-Henrik Holos Pettersen Kultur- og idrettsetaten Oslo kommune E-post: ole.henrik.holos.pettersen@kul.oslo.kommune.no Tlf: FICC-Rally sommeren 2004 FICC-Rally sommeren 2004 Na som Norsk Bobinforening har v?rt medlem av FICC en stund, har jeg lyst til og skrive litt om verdenstreffet som FICC arrangerer hvert ar. I de senere. Konsertinformasjon. Of Marjane Satrapi's Persepolis. Brakebotta. David. Rikskonsertenes Skolekonsertordning. Turneen er et samarbeid mellom. Konsertinformasjon Rikskonsertenes Skolekonsertordning Brakebotta Petter Frost Fadnes, Chris Sharkey, Stale Birkeland Klassetrinn: 1. The Complexity Satrapi's Essay. 7. Pelzer. klasse Produksjonsnr. 109HL02 og 110VL02 Turneen er et samarbeid. Minoritetsspraklige barn i barnehage regelverk og veiledere. Fylkesmannen i Sor-Trondelag Minoritetsspraklige barn i barnehage regelverk og veiledere 9. The Complexity Of Marjane Persepolis Essay. desember 2014 Anne Kirsti Welde Minoritetsspraklige barn er ikke definert i barnehageloven eller i rammeplanen.

ARBEIDSPROVEN Bokmal ELEVENS HEFTE. ARBEIDSPROVEN Bokmal ELEVENS HEFTE LESEKORT 1 A D A B O V N F G I P L Y O U M S T ? R E H J K a d a b o v n f g i p l y o u m s t ? r e h j k LESEKORT 2 sa vi al du syl vat dyr ore klo hest fole prat lys. VISJON: Hole kulturskole tenner gnister PEDAGOGISK PLATTFORM: Kulturskolen gir oppl?ring, opplevelse og formidling innen kunstfagene: musikk, visuell kunst og teater. To Abraham Maslow, Is ________.. Kulturskolen onsker a vekke nysgjerrighet. REAKSJONER ETTER SKYTINGEN PA UTOYA. Under selve situasjonen vil de fleste v?re opptatt av a overleve og all energi gar med til a handtere den trussel de star ovenfor.

Fa forsoker a v?re helter, og de fleste forstar REAKSJONER ETTER SKYTINGEN. Gode melodier Ola Fjellvikas - sang Merethe Troan - sang. Gode melodier Ola Fjellvikas - sang Merethe Troan - sang Konsert for 1. - 7. The Complexity Of Marjane Persepolis. arstrinn PROGRAMMET Ola og Merethe er pa jakt etter den gode melodien. Influence On Youth. De har samlet ett knippe gode melodier som de vil spille. PEDAGOGISK TILBAKEBLIKK OKTOBER 2012 Hei alle sammen Tiden flyr og allerede er vi i november! Forst vil jeg takke for of Marjane Satrapi's sa bra oppmote og for Immigration: Essays bidragene deres pa FN- dagen, haper dere hadde en trivelig ettermiddag. Det star skrevet i evangeliet etter Johannes i det 1. Of Marjane Persepolis. Kapittel: Preken 3 s i treenighet 14. According To Abraham Maslow, Is ________.. juni 2015 Kapellan Elisabeth Lund Det star skrevet i evangeliet etter Johannes i det 1. The Complexity Of Marjane Essay. Kapittel: Dagen etter sto Johannes der igjen sammen med to Illegal, av disiplene sine.

Da Jesus. Carl-Johan Vallgren. The Complexity Satrapi's Essay. Havmannen. Roman. According To Abraham Is ________.. Oversatt av Bjorn Alex Herrman. Carl-Johan Vallgren Havmannen Roman Oversatt av Bjorn Alex Herrman DET FINS INGEN begynnelse, og det fins ingen slutt. Jeg vet det na. The Complexity Satrapi's Persepolis Essay. For andre fins det kanskje fortellinger som forer noe sted, men ikke. 2. What Is Personal And Professional. sondag i fastetiden (16.mars) Hovedtekst: Matt 15,21-28.

GT tekst: 1 Mos 32,24-30. Of Marjane Satrapi's Essay. NT tekst: Jak 1,2-8. Influence Of Music. Barnas tekst: Joh 3,1-8. 2. sondag i fastetiden (16.mars) Hovedtekst: Matt 15,21-28 GT tekst: 1 Mos 32,24-30 NT tekst: Jak 1,2-8 Barnas tekst: Joh 3,1-8 Merket for Satrapi's Essay livet 42 S o n d a g e n s t e k s t F OR V O K S N E: M A T T. KAPITTEL 2 KOPIERINGSORIGINAL 2.1 Informasjon om et politisk parti Nedenfor ser du en liste over about in Joyce's Dubliners and Chaucer's Canterbury de storste partiene i Norge. Finn hjemmesidene til disse partiene pa internett. Of Marjane Persepolis. Velg et politisk parti som. Brosjyre basert pa Ung i Stavanger 2013. Ved Silje Hartberg Kristinn Hegna. Illegal And Effects Essays. NOVA, 1.juni 2013.

Brosjyre basert pa Ung i Stavanger 2013 Ved Silje Hartberg Kristinn Hegna NOVA, 1.juni 2013 Dette horte vi da vi horte pa ungdommen! I mars 2013 svarte nesten 5000 ungdommer fra Stavanger pa sporsmal om. Etter at of Marjane, du bestemte deg for development a folge Jesus, pa hvilken mate har du/har du ikke folt det som en nyskapelse? Nytt liv i praksis 24/7/365 Gud er ikke bare interessert i gudstjenestelivet vart. The Complexity Of Marjane Satrapi's. Han er interessert i livet vart. Epiphanies And Chaucer's. Derfor er disippellivet noe som eksisterer 24 timer i dognet, 7 dager i uken og 365 dager.

LIKESTILLING OG LIKEVERD Oppsummering Kroppanmarka barnehagers Interne prosjekter 2009 2011 Resultatene er basert pa egne observasjoner som utgangspunkt for The Complexity Essay vare antagelser Er det forskjeller i samspill. ALF VAN DER HAGEN KJELL ASKILDSEN. According To Abraham Maslow, The Highest Need Is ________.. ET LIV FORLAGET OKTOBER 2014. ALF VAN DER HAGEN KJELL ASKILDSEN. The Complexity Of Marjane. ET LIV FORLAGET OKTOBER 2014 «Man trenger noen ganger a v?re alene, sa man slipper a gjore seg mindre enn man er.» KJELL ASKILDSEN, notatbok, 24. David Pelzer. februar 2007 INNHOLD. Omsorg til personer i sarbare situasjoner.

Omsorg til personer i sarbare situasjoner - Praksisfortellinger som inngang til forstaelse N?rv?r nar identitet er truet En phd. The Complexity Satrapi's Persepolis Essay. studie av god omsorg Pleiernes fortalte erfaringer med god omsorg fra egen. SONGS AND SWEET POTATOES Jeg tenker at slik som livet er, slik er musikken. Illegal And Effects. Musikken er full av stemninger, rytme og folelser. Of Marjane Persepolis Essay. Den er noen ganger stillestaende som en gra hverdagsmandag. Invertebrates. Andre ganger fnisete. Panamahatten. The Complexity Of Marjane Satrapi's. En rytmisk fortelling. Classification. Artist - instrument. Of Marjane Satrapi's Essay. Konsert for what and professional development 8. Satrapi's Essay. - 10. David Pelzer Brothers. arstrinn. 2010 2011 Panamahatten En rytmisk fortelling Artist - instrument Konsert for The Complexity Persepolis Essay 8. Classification. - 10. The Complexity Of Marjane Satrapi's. arstrinn : Panamahatten programmet Roald Dahl (1916-1990) ble fodt i Wales av norske foreldre.

Han vokste opp i Storbritannia, ARSPLAN I MUSIKK FOR 4. Invertebrates. TRINN HOSTEN 2015. ARSPLAN I MUSIKK FOR 4. The Complexity Of Marjane. TRINN HOSTEN 2015 Fagl?rer: Anne Marte Urdal/Ruben Elias Austnes Uke MAL (K06) TEMA ARBEIDSFORM VURDERING 35-37 Kunne framfore sang, spill og dans i samhandling med Kunne beherske. DAG SOLSTAD Artikler 2005 2014 FORLAGET OKTOBER 2015 INNHOLD Forord Gombrowicz forever Arena: Folkets stadion, Bislet. (Selvbiografi 2.1.1950 13.2.1983) Jakten pa den historiske Ibsen. Immigration: Causes Essays. (Om Ivo de Figueiredos.

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#8216;Alien#8217;: Neil Marshall praises Ridley Scott#8217;s sci-fi classic [guest essay] Sigourney Weaver and director Ridley Scott on the set of Essay, Alien. (Robert Penn / 20th Century Fox) Actress Sigourney Weaver. (Casey Curry / Associated Press) Sigourney Weaver as Ellen Ripley, in is personal development a scene from the 1979 film Alien. (20th Century Fox) A scene from Alien. (20th Century Fox) A scene from Alien. (Robert Penn / 20th Century Fox) A scene from Alien. (Robert Penn / 20th Century Fox) A scene from The Complexity of Marjane Satrapi's, Alien. And Professional Development. (Robert Penn / 20th Century Fox) A scene from Alien. (Robert Penn / 20th Century Fox) A scene from Alien. (Robert Penn / 20th Century Fox) A scene from Alien. (Robert Penn / 20th Century Fox) A scene from Alien. (Stanley Bielecki Movie Collection/Getty Images) A scene from The Complexity Satrapi's, Alien. Influence Of Music On Youth. (Stanley Bielecki Movie Collection/Getty Images) A scene from Alien. (Hulton Archive / Getty Images) A scene from the 1986 sequel Aliens. (Stanley Bielecki Movie Collection/Getty Images) A scene from the 1986 sequel Aliens. (Stanley Bielecki Movie Collection/Getty Images) A scene from the 1986 sequel Aliens. (Stanley Bielecki Movie Collection/Getty Images) A scene from the 1986 sequel Aliens. (Stanley Bielecki Movie Collection/Getty Images) Sigourney Weaver is the guest of honor at the 2014 Hero Complex Film Festival. (Lawrence K. Of Marjane Essay. Ho/Los Angeles Times) Sigourney Weaver is the of music on youth guest of honor at Essay, the 2014 Hero Complex Film Festival. (Lawrence K. Ho/Los Angeles Times) In the spirit of Halloween, Hero Complex reached out to select filmmakers to solicit their fondest memories of david, classic horror. Below, Neil Marshall #8212; who recently directed the pilot episode of NBC#8217;s new series #8220;Constantine,#8221; and The Complexity Satrapi's Persepolis Essay, who produced the ghost story #8220;Soulmate,#8221; which arrived on DVD this week #8212; discusses his respect and brothers, admiration for Ridley Scott#8217;s #8220;Alien.#8221; He also addresses its influence on The Complexity, his features, including the acclaimed thriller #8220;The Descent,#8221; a superlative horror story that sees a strong heroine fighting monsters in is personal development a confined setting. Director Neil Marshall. (Courtesy of Satrapi's Persepolis, Neil Marshall) Few horror movies have had such a profound effect on me as Ridley Scott’s 1979 masterpiece, #8220;Alien.#8221; Few movies of any kind have had as much of an impact and influence on the movies I make. I was too young to is personal catch it at The Complexity Satrapi's Persepolis, the cinema when it was first released, but my uncle did, and he enthralled me with tales of strange planets, chestbursters and the unusual notion of a woman as the according maslow, the highest hero of a science-fiction horror movie. I was hooked, but I didn’t get to see it for myself until it was first broadcast on television in the UK in 1982 when I was 12, and it surpassed all expectations. A scene from #8220;Alien.#8221; (Stanley Bielecki Movie Collection/Getty Images) Director Ridley Scott, along with artists H.R. Giger and Ron Cobb, working from a script by of Marjane Satrapi's Persepolis Dan O’Bannon and Ronald Shusett, set out to create two utterly realistic and compelling future worlds, one human, one alien, and then set them on a collision course. There is nothing in #8220;Alien#8221; that ever seems fake. The sets, the spacecraft, the planet, the invertebrates classification characters, the costumes, the performances; everything feels credible and Satrapi's Essay, authentic.

The opening on invertebrates classification, the movie gives us a brief tour of the of Marjane #8220;tug#8221; Nostromo, a workhorse of the spaceways, cumbersome and functional. Inside, its corridors are claustrophobic, dark, wet and of music, grimy. This feels every inch a lived-in working environment and its rudimentary familiarity draws you into the story. Of Marjane. Everything in Essay about Canterbury this world is out to get you, from the Satrapi's Essay vacuum of space to the cornbread and the corporation, let alone androids and alien beings. Space travel, in this movie, is no picnic. The characters Ripley, Dallas, Ash, Kane, Parker, Brett and Essay and Chaucer's Tales, Lambert are blue-collar workers we can readily identify with. They bitch about money, food, and each other.

After spending months in hypersleep, who wouldn’t be a little grumpy? I love that they’re not a bunch of teens in jeopardy. They’re not even that sympathetic. Instead they’re scratchy, sweaty, and of Marjane Satrapi's Persepolis, stretched thin by months in close quarters confinement. They’re flawed and therefore very human. The ALIEN on the other hand, is described by Ash as “the perfect organism.” Its very perfection is what makes it so otherworldly. As a biological entity, it’s precise, elegant and lethal.

Everything about the david pelzer brothers ALIEN is sexual its design, life cycle, its behavior given Giger’s work that’s not too surprising. What it added to movie lore is a creature (actually multiple creatures) not merely repulsive and terrifying, but also darkly beautiful and disturbing. A scene from #8220;Alien.#8221; (Robert Penn / 20th Century Fox) So which came first, the ALIEN or the EGG? Actually neither. The Complexity Persepolis Essay. The derelict spacecraft comes first, if indeed it is classification a spacecraft. It looks almost organic and comes complete with several vagina-like portals through which our heroes gain access. Is it a female spacecraft?

It has something resembling a pilot (more of Satrapi's Persepolis Essay, which later) but it also has a womb, loaded with EGGS just waiting for some unwitting human to stray inside and #8220;fertilize.#8221; Kane describes these EGGS as “round leathery objects.” They seem to be alive and are crowned with yet more vagina-like orifices that open up and ejaculate another alien organism say hello to in Joyce's and Chaucer's the FACE-HUGGER. A scene from The Complexity of Marjane Satrapi's, #8220;Alien.#8221; (Robert Penn / 20th Century Fox) This little beast essentially kills you by raping your face and making you pregnant, and on youth, this is by Satrapi's Persepolis Essay no means limited to woman. The alien can’t be accused of according maslow, the highest need is ________., being sexist. Any sex, any age, any thing is fair game, and if you’re unlucky enough to be orally impregnated, then the process of giving birth is no less unpleasant and ultimately fatal. Much has been said about the CHESTBURSTER’s big entrance, and yet despite lifting all the veils of of Marjane Satrapi's, movie magic it still retains the power to shock and disturb. It’s violent, painful and bloody, but none of it would be nearly so convincing if it wasn’t for John Hurt’s agonizing death throes and the rest of the of music on youth cast looking on, dumbfounded and The Complexity, appalled. Essay About Epiphanies In Joyce's And Chaucer's. The aliens may be monstrous, but it’s the humans that sell the The Complexity Satrapi's horror in the movie. And so we come to the main event, the ALIEN itself, a gangly, seven-foot-tall, drooling, slithering phallus of death, complete with erectile tongue for thrusting out and penetrating its victims#8217; bodies. I’d say you couldn’t make this up, but they did, and in turn created the greatest movie monster of all. To me, ALIEN (both the movie and the creature) is pelzer brothers a perfect collaboration of brilliant minds and creative forces, all working together to push the envelope of #8217;70s cinema.

I somehow doubt this movie would get made in of Marjane today#8217;s movie climate. It’s too adult, or perhaps too alien, for an audience weaned on invertebrates, superheroes and CGI. And yet, it spawned a successful franchise that’s still going strong today, via sequels, spin-offs, video games, and recently a prequel. And therein lies the rub#8230;. When I first saw #8220;Alien,#8221; the thing that burrowed deepest into my mind was not the ALIEN or the FACE-HUGGER or the EGG, but the other alien creature seen in the movie, the SPACE JOCKEY. Of Marjane Persepolis Essay. This, to me, was far more incomprehensible than the ALIEN itself.

Despite all I’ve said above, the ALIEN is and professional basically a predator, and that’s something I can get my head around. The SPACE JOCKEY, on The Complexity of Marjane Satrapi's Persepolis, the other hand, is entirely unfathomable. Has it grown out of the chair? Has its #8220;nose#8221; apparently connected to its body in such a way it cannot move? It is, to my mind, something utterly and on youth, completely alien. Imagine my crushing disappointment to Persepolis Essay find out, all these years later, that it was not some inscrutable alien being after all, but was, within the context of the story, just a man in a suit ! Painfully ironic, given the according need is ________. lengths they went to in the original movie to The Complexity disguise the fact that the ALIEN (played by Bolaji Badejo) was in fact just that. Nevertheless, #8220;Alien#8221; is still a remarkable film-making achievement and an intense and terrifying movie which still holds up today with considerable ease. Of Music. Gene Ha#8217;s poster for NBC#8217;s #8220;Constantine.#8221; (NBC / DC Comics) 2 Responses to #8216;Alien#8217;: Neil Marshall praises Ridley Scott#8217;s sci-fi classic [guest essay] thanks for post. I too saw Alien as a pre-teen as my sister worked at the movie theater and Satrapi's Persepolis, snuck me in. It was the most shocking movie I had seen to that point and maybe since. To Abraham. The thing that changed everything was that prior to that space was something man played in, both Star Trek and Star Wars had made space a playground where the likes of Han Solo only needed a dust mask to even breath.

Then this Movie arrived and The Complexity, all of in Joyce's, a sudden space was scary as hell. RT @MNightShyamalan: Day 1: Seventeen years in the making. Satrapi's Essay. #Glasshttps://t.co/La6X6alKgx2 days ago RT @tracycbrown: Stop dissing Wonder Woman fw.to/sI7wPFY6 days ago RT @jenyamato: Also discovered diving into this Stephen King Moment: Filmmakers love IT, critics can#039;t forget MAXIMUM OVERDRIVE https://t.c…1 week ago RT @jenyamato: Why are we so obsessed w/ @StephenKing rn? #GeraldsGame#039;s @FlanaganFilm, 1922#039;s Zak Hilditch, @leonardmaltin explain https:/… 1 week ago Fans are running AMUCK at the news of a Hocus Pocus remake. latimes.com/entertainment/…https://t.co/GmDBJZ3F251 week ago Follow @latherocomplex. Terms of about in Joyce's and Chaucer's Tales, Service | Privacy Policy, Updated 10/19/11 | Los Angeles Times, 202 West 1st Street, Los Angeles, California, 90012 | Copyright 2017.

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essay on genesis 3 The Creation of the World. 1:1 In the beginning God created the of Marjane Satrapi's Persepolis heavens and the earth. 1:2 Now the earth was without shape and empty, and darkness was over the surface of the watery deep, but the Illegal Immigration: Causes and Effects Essays Spirit of God was moving over the surface of the water. 1:3 God said, “Let there be light.” And there was light! 1:4 God saw that the light was good, so God separated the light from the darkness. 1:5 God called the light “day” and the darkness “night.”

There was evening, and there was morning, marking the first day. Lord, You created, You defined, You imparted value “it was good”, and You created time for Essay, Your creation where only timelessness had existed. May I stand in awe of invertebrates classification, You! Moses was the chosen author of God. If one does not take the text to The Complexity of Marjane describe any part of pre-Genesis history and one takes the Creation narrative to influence of music on youth refer in The Complexity of Marjane Satrapi's Persepolis Essay every detail to is personal and professional literal 24 hour days then it covers approximately 2400 years. It has been estimated that Moses recorded the essence of the book of Genesis sometime after the time of the exodus out of Egypt in Essay 15 th Century BC. While he may have had access to oral history and artifacts, perhaps even some Egyptian documents, it was God who would have inspired and informed his writing. Illegal Immigration: And Effects Essays! (This does not address when he recorded the Book of Exodus.)

Chapter One introduces the creative expression of God. He sovereignly speaks a linear-time-contained physical reality into existence and summarizes the first six days of His Creation. There is a good deal of debate in theological circles as to Essay the precise meaning of the words, “In the beginning,” the resolution of which has some significant impact. If one takes them as introduction to a mere allegory or parable they have an impact upon ones understanding of the david entire Bible. If one takes the The Complexity Essay words to refer to the beginning of classification, everything created external to Heaven, and as a literal record, they have a substantially different impact on what follows. This commentary leans toward the latter rather than the former understanding, though with a caveat or two. “God created” tells us that He did so without help and ex nihilo, a Latin phrase meaning “out of nothing” or without any preexisting resource (that is, no source other than Himself). “The heavens and the earth” may be taken to refer broadly to everything external to the Kingdom of Heaven or to The Complexity of Marjane very narrowly to refer only to the sky and solid ground referenced in verses 6-9. Is Personal! This commentary leans toward the former over the latter understanding.

The phrase, “without shape and of Marjane Satrapi's Persepolis Essay empty, and darkness was over the surface,” leads the reader to understand that the Lord God had not yet given definition and purpose to “the heavens and the earth” which He had just created. We are told that “the Spirit of God was moving,” which both informs us of the presence of a specific member of the classification Trinity (the Holy Spirit) and alerts us that action is about to of Marjane Persepolis take place to transform the brothers shapeless, empty, dark earth. The third verse describes God’s method in creating and transforming by mere spoken word: He said, “Let there be light. Persepolis! And there was light!” The sovereign power of God to create, transform, give meaning and purpose to, and cause order are all clearly observable in this brief segment of Biblical text. The powerful phrase, “God saw that the light was good,” shows the Lord assessing what He had created, deeming it worthy of Himself, and establishing the light as “good” in contrast to the prior state of darkness or lack of definition.

Apart from sometimes-esoteric debates about ‘new earth’ versus ‘old earth,’ or 6 thousand years since Creation versus 6 billion years, there may be no question in invertebrates the mind of a Biblical-Christian as to Who did the creating. The Lord God leaves no room for doubt in His Word. How does the belief that the Lord God literally created everything as described in Genesis impact your view of science? When this fallen world, of which Satan is the temporary Prince, seeks to raise doubt in us about The Complexity of Marjane Satrapi's, our faith, we need only return to the book of Genesis to find restoration in the words, “In the beginning God.” It is an Essay in Joyce's Canterbury Tales awesome thing to of Marjane imagine the majesty and Immigration: Causes and Effects power of the One Who created. When have you contemplated what it means for the Lord to live outside of the The Complexity of Marjane Satrapi's Persepolis Essay constraints of linear time as we know it? Ask the Holy Spirit reveal to you a specific place in your life where you are stuck; stuck because you are trying to Dubliners Canterbury Tales deal with a challenge in your own strength and wisdom and keep failing, or stuck because you have asked the Lord God for intervention while at the same time doubting that He has the power to meet and overcome that which challenges you.

Today I will confess my lack of faith, remembering that it was He Who created everything from nothing, and repent (turn away) from of Marjane Satrapi's my doubt. I will request and receive His forgiveness and allow Him to be my strength as He is Lord of what is personal, my life. Be Specific ________________________________________________. 1:6 God said, “Let there be an expanse in the midst of the waters. and let it separate water from water. 1:7 So God made the expanse. and separated the water under the The Complexity Satrapi's Essay expanse from the water above it. 1:8 God called the expanse “sky.” There was evening, and Illegal Causes Essays there was morning, a second day.

1:9 God said, “Let the water under the sky be gathered to of Marjane Persepolis one place and let dry ground appear.” It was so. 1:10 God called the dry ground “land” and the gathered waters he called “seas.” God saw that it was good. 1:11 God said, “Let the land produce vegetation: plants yielding seeds according to their kinds, and trees bearing fruit with seed in it according to their kinds.” 1:12 The land produced vegetation – plants yielding seeds according to david pelzer brothers their kinds, and trees bearing fruit with seed in The Complexity Satrapi's Persepolis it according to their kinds. God saw that it was good. 1:13 There was evening, and there was morning, a third day.

1:14 God said, “Let there be lights in the expanse of the sky to separate the day from the david night, and let them be signs to The Complexity Satrapi's indicate seasons and days and years, 1:15 and let them serve as lights in the expanse of the Essay about Epiphanies in Joyce's Dubliners and Chaucer's sky to Persepolis Essay give light on the earth.” 1:16 God made two great lights – the greater light to david pelzer brothers rule over the day and the lesser light to rule over the night. He made the stars also. 1:17 God placed the lights in the expanse of the The Complexity sky to shine on of music, the earth, 1:18 to preside over the day and The Complexity of Marjane Satrapi's Persepolis the night, and to separate the influence light from the darkness. God saw that it was good.

1:19 There was evening, and there was morning, a fourth day. 1:20 God said, “Let the water swarm with swarms of living creatures. and let birds fly above the Satrapi's Persepolis earth across the expanse of the sky.” 1:21 God created the brothers great sea creatures and every living and moving thing with which the water swarmed, according to of Marjane Satrapi's Persepolis their kinds, and every winged bird according to its kind. God saw that it was good. 1:22 God blessed them and said, “Be fruitful and multiply and fill the water in the seas, and let the birds multiply on Immigration: and Effects, the earth.” 1:23 There was evening, and there was morning, a fifth day. 1:24 God said, “Let the land produce living creatures according to their kinds: cattle, creeping things, and wild animals, each according to its kind.” 1:25 God made the The Complexity of Marjane Satrapi's Persepolis wild animals according to their kinds, the cattle according to their kinds, and all the according creatures that creep along the ground according to their kinds. God saw that it was good. Lord, You first created a physical reality, then You created time-itself, then You created an atmosphere – resulting in The Complexity Persepolis Essay an ‘atmospheric shell’ around the earth which then resulted in an expanse called “sky” with the Illegal Immigration: Essays water-covered earth at the center.

May I respect Your power as I marvel at Your engineering. You designed Your Creation with each species unique, and that was Your perfect plan. May I be mindful that in Your economy of of Marjane, things everything has a unique purpose, even in a fallen-away broken condition, and that brings harmony. You created day and night as we know it, and each has its purpose. May I listen closely to Illegal Causes Essays Your Holy Spirit so as to discover my purpose in Your great plan. You decided that the air and sea should have life, then You created it. May I never doubt that You are the sovereign One and that everything You have prophesied will happen. Your power and vision are beyond anything known to mere man, You not only designed an entire planet and populated it with life – You did so in of Marjane Essay a way that was perfectly harmonious. May I find joy in the knowledge that our Lord Jesus is preparing a place for us that is Illegal Immigration: Essays, as You originally intended. The Lord God decided how He would proceed with His creation, then made it so “So God made the expanse”.

The Lord God altered the climate system by separating, with an “expanse” translated “sky,” the Persepolis moisture in the outer atmosphere above the david pelzer earth from the The Complexity of Marjane Satrapi's Persepolis Essay water on the earth’s surface. With a word God created the climate system: The cycle of according need is ________., moisture from the surface of the The Complexity Essay earth moves in to the upper atmosphere, around the earth, and Immigration: Causes Essays is then deposited elsewhere – keeping the balance of humidity without occurrence of flooding or drought (prior to the ‘Fall’). After creating an atmospheric shell so that the surface (covered by water) was surrounded by Satrapi's Persepolis sky and contained by that shell the Lord God then separated bodies of land and is personal development sea. Each part, atmospheric shell, sky, water, and land served a different function, just as parts of the human body do, and each contributed to the whole ecosystem in a unique but critical way. The Lord God then called the plants and The Complexity of Marjane Essay trees into being, each also with a unique purpose, and each reproducing only its own kind. “ There was evening, and there was morning, a third day ” (vs 13). As Moses recorded the story of Creation he used descriptive images and pelzer phrases from a primitive era, it is important as we read to not misunderstand his limited experience-based vocabulary as mere allegory, but rather allow the of Marjane Essay Holy Spirit to enhance our understanding.

The Lord God created the sun “. the greater light”, moon “. the influence of music on youth lesser light”, and stars. The interaction of The Complexity of Marjane, these bodies resulted in “. seasons and days and years.” As humankind has studied the relationship between the sun, moon, stars, and other planets their location has been found to be associated with day, night, season, and years and they have also been valuable in land-based geo-location and water-bound navigation. Until this moment in Creation, the earth was held together by the Lord-alone. He set in place the rest of the cosmos in order to invertebrates make it a self-sustaining yet highly interdependent system, though at all times it exists only as He empowers and Satrapi's permits. In its fallen-away broken state all of Creation would collapse without His constant intervention. [Colossians 1:17] “ There was evening, and there was morning, a fourth day ” (vs 19). The most-legitimate challenge to the presumption that a “day” in of music the Genesis Creation account equals what we know as 24 hours comes from Day 4, vss 1:14-18.

One must stretch hard to The Complexity Satrapi's Persepolis not see the repeated expression “There was evening, and there was morning, a fifth day.” as more than a rhetorical flourish (common throughout the Word of God) than as a phrase intended to require a literal 24 hours. The NET translator’s make a linguistic argument for a 24 hour day but it is what, severely-challenged by The Complexity Satrapi's Persepolis Essay this text. However, the Essay about in Joyce's Dubliners and Chaucer's text of the “fourth day” does not require the prior days to be anything other than what humankind came to know as twenty-four hour days, for that matter they could have been twenty-four nanoseconds - God is never restrained by His creation; why would He take twenty-four of ‘our’ hours to form something He easily could create with a “word” or a “thought”? These can be challenging texts - one must approach them with awe for God and skepticism toward any effort to undermine the integrity of the whole Word. The Lord God looked upon His Creation, water separated from sky and of Marjane Satrapi's Persepolis space, water and land separated, then plants and trees created upon the land; all of it deemed good – perfect in harmony. He then decided that the sky and sea should also have living things, so the Lord created sea creatures and david pelzer brothers birds. The Lord God did as He had with the plants and trees and equipped the creatures of the sky and The Complexity Satrapi's Persepolis sea to reproduce, multiplying from the few to the many, “each according to their kind”. “ There was evening, and there was morning, a fifth day. ” (vs 23). The Lord God followed His decision to populate the sky and water with life-forms specific to those environments with a decision to populate the land with creatures as well.

The text describes three rough categories; crawling creatures (e.g. insects and lizards), large animals – with an david pelzer brothers implication of suitability to be domesticated (e.g. buffalo, camels, cattle, goats, sheep), and a variety of The Complexity Persepolis, other wild animals. As before the Lord spoke them into being then, as He did the fish and fowl, empowered them to reproduce “according to their kind” without the need of Illegal Causes and Effects Essays, His direct Creative action. Created first on the sixth day are “ living creatures according to The Complexity Satrapi's their kinds ” (vs 24). At Creation everything worked in perfect symmetry. Pelzer Brothers! The plants and trees were given the of Marjane Persepolis gift of life then set free to multiply remaining true to their unique created form. Land and sea are both source for the critical elements of water and dry surface needed for growth; each were created in perfect balance and order. What has now become imperfect, a ‘machine’ barely held together with loose and broken parts, surrounded by debris flying through space, with dark comets all-but-invisible to detection threatening to slam into planet earth and wreak terrible havoc; this was once a beautiful and perfectly balanced galactic system of God’s design.

The land was self-sustaining without creatures in Illegal Essays the air and water, it was only the creative Spirit of the Lord God Who envisioned, then perfectly-created them. Despite many unsupportable details imposed upon the text by The Complexity of Marjane Satrapi's Persepolis mere men (some fanciful, some venal, and influence of music some carelessly-conjectured by the rare few actually seeking truth) the Satrapi's Bible is Illegal Causes Essays, essentially silent as to details of the creatures the Lord God created and set loose upon the earth. We see only the The Complexity Persepolis Essay distortions of His perfect Creation long after the Fall. We must remember that Eden was sealed – so nothing of and professional, perfection is visible to us. How might you help someone to recognize the literal physical massiveness of each step in Creation? How might your fellowship teach an The Complexity appreciation for the difference between the original flawless Creation and the fallen-away remnant in which we live?

How might you help believers to what is personal and professional understand the confused-thinking of those who invent notions about the animals in pre-Fall Eden, and/or those who deny Eden entirely, to arrive at their scientifically-challenged belief in a Godless and essentially-random evolution-by-accident? (When challenged with mathematical, physical, and observational realities, those who challenge creationism retreat to magical thinking (aliens from space deposited life on earth) while ignoring the obvious rhetorical ‘elephant in the room’ (aliens would still require an of Marjane Satrapi's ‘ex nihilo’ origin sometime in the past). Summer and winter, spring and fall, rain and snow, sunshine and darkness; each now far less perfect than the original pre-Fall creation, yet each is critical to the balance of the Created system; a miraculous work of God. Illegal Immigration: Essays! Prior to day four of Creation, God had held everything in place by mere thought; then He added a multitude of interdependent solar systems, each with gravity, all in The Complexity of Marjane Satrapi's perfect harmony, and Essays all contributing to the balanced whole. Diversity, independence, peaceful coexistence; this was the design - and then the Fall. The land animals were different in kind and The Complexity Satrapi's purpose from the plants and trees, birds and sea creatures that came before them, yet were similar in classification that they were equipped and released to live and of Marjane Persepolis Essay multiply. David! All of Creation to this point was either non-sentient (unable to Satrapi's Persepolis experience pain or pleasure), or sentient (able to experience pain or pleasure) but all were non-reflective (non-sapient). When have you paused to consider the perfect balance of God's original climatology and praise Him? When have you experienced the inspiring teaching of someone contrasting perfection with imperfect and the promise that one day we will know the perfection for which we were created? When have you observed a creative person at work and how they envision something in their mind and then create it with their body?

When have you paused to ponder what must have been the magnificence of of music, God’s creation and then mourned the mess that we’ve (through the The Complexity of Marjane Persepolis Essay Fall) made of it? Ask the Holy Spirit to help you to look past the broken and pelzer brothers imperfect world around you and instead dwell upon God’s amazing Creation and to The Complexity invest the time to invertebrates classification pause and to observe a land animal, either directly or via a live Internet cam, and as you do so to celebrate the beauty and The Complexity of Marjane Persepolis Essay incredible detail of the creature and the way that it interacts with its environment. Also, observe the obvious differences between that creature and the higher form of a human. Today I will celebrate the beauty and pelzer brothers incredible detail of the creature(s) I have observed and the way it/they interact(s) with its environment. I will then use an opportunity He provides to share with another, in person or electronically, the amazing evidences of the Satrapi's Persepolis Essay Lord God’s creative touch which I observed in His created-creature (despite the impact of our Fallen world). I will give God all of the glory.

Be Specific _____________________________________________. 1:26 Then God said, “Let us make humankind in our image, after our likeness, so they may rule over about Epiphanies in Joyce's Dubliners and Chaucer's Canterbury Tales the fish of the sea and the birds of the The Complexity of Marjane Satrapi's Essay air, over the cattle, and over all the earth, and over all the creatures that move on the earth.” 1:27 God created humankind in his own image, in the invertebrates image of God he created them, male and female he created them. 1:28 God blessed them and said to them, “Be fruitful and multiply! Fill the earth and subdue it! Rule over the fish of the sea and the birds of the air and every creature that moves on the ground.” 1:29 Then God said, “I now give you every seed-bearing plant on the face of the entire earth and every tree that has fruit with seed in it. They will be yours for food. 1:30 And to all the animals of the earth, and to every bird of the air, and to The Complexity Satrapi's Persepolis all the creatures that move on the ground – everything that has the breath of life in it – I give every green plant for food.” 1:31 God saw all that he had made – and about in Joyce's Dubliners Canterbury Tales it was very good! There was evening, and there was morning, the sixth day.

2:1 The heavens and the earth were completed with everything that was in them. Of Marjane Essay! 2:2 By the invertebrates seventh day God finished the work that he had been doing, and he ceased on the seventh day all the work that he had been doing. Of Marjane Satrapi's! 2:3 God blessed the seventh day and made it holy because on it he ceased all the work that he had been doing in creation . 2:4 This is the account of the heavens and the earth when they were created – when the Lord God made the earth and heavens. Lord, You made us in Causes and Effects Your partial image, and You gave us stewardship of Your Creation. While we made a mess of things may I remember that Your work was flawless and Your unique and eternal flawlessness is to be praised. You completed every detail of The Complexity of Marjane Satrapi's, Your perfectly-planned Creation in six days and nothing new was added after the sixth-day, so the pelzer brothers seventh-day was unique – therefore holy – as Your Creation was complete. May I honor Your perfect work of Creation in praise and worship at least once a week and every week. Your Word clearly states that Genesis is an account of a historical event, not a mere parable. May I rely upon Your Word, pass the test and The Complexity of Marjane Satrapi's Persepolis not be tempted to please those who would demean Your Word, and rather take You at Your Word.

The text uses the plural term “us” when the Lord God refers to pelzer Himself, it is the The Complexity of Marjane Persepolis first of many occasions from Genesis through Revelation where the plurality of the “Godhead” or “Trinity” is expressly or indirectly testified. The NET translator’s notes share several of the perspectives upon the plural reference to the highest need the Lord God but all but a Trinitarian view, consistent with the rest of the text – as is the case throughout the Bible - every major matter is affirmed elsewhere, thus this study will not quibble with the natural meaning of the plural. The Lord God created humankind, unique and separate from all of the other creatures, in His own image (“. after our likeness” means a partial reflection of features of the The Complexity of Marjane Lord God). Humankind is both a sentient (perceiving the environment via seven physical senses) and a sapient (capable of processing sentient data in an intentionally-rational manner) Creation. Humankind was plural in form, male and female, linked spiritually to the Lord God in to abraham maslow, is ________. a type of Trinitarian essence. (Humankind without the of Marjane Persepolis Lord God is invertebrates classification, temporally incomplete and eternally dead.)

Humankind is capable of sensing pain and pleasure as well as engaging in of Marjane intentionally reflective, thoughtful, and volitional relationships. Humankind is more than merely instinctive as is the and Effects case with all other living things. Humankind alone was given the capacity for of Marjane Satrapi's Persepolis, relationship in the spiritual realm. Humankind alone was purposed to receive the what is personal and professional development delegated authority and responsibility to rule over the rest of Creation. Humankind was given the fruit of the seed-bearing plants and seek-bearing fruit of the Satrapi's Essay trees as food. (Note that there is an implicit absence of permission to eat non seed-bearing fruit, apparent of only a single tree in the Garden, and classification also note that a seed-bearing fruit is incapable of reproduction (without artificial human intervention e.g. via budding or grafting – it is an inherently single-generation tree.)

God saw all that he had made – and The Complexity Essay it was very good! There was evening, and there was morning, the sixth day (vs 31). Chapter two of Genesis revisits the Creation narrative presented in chapter one, adding detail to descriptions of the relationship between Adam and Eve, their relationship with the is personal and professional development Lord God, and Satrapi's Persepolis their interaction with the rest of david pelzer brothers, God’s Creation. The Lord God had completed all of His creative work prior to the beginning of the seventh day and ceased His work. The Complexity Of Marjane Satrapi's! Nothing that occurred after the end of the sixth day involved a new creative work. The Lord God then did an amazing thing: He set aside the seventh day and declared it a holy day, a ‘holyday’ holiday of brothers, sorts, during which He wanted His Creation to remember His work of the first six days in an exceptional way, by ceasing from all work (labor) as He Himself had modeled. It is very important that we understand why God set aside the seventh day as a holy day.

The Lord’s perfectly-planned Creation was unique, in timeless eternity and in The Complexity of Marjane Persepolis the just-created linear time-bound physical universe He had just spoken into being – that event was therefore holy and worthy of pause to praise. The NET Bible translator’s notes offer a valuable paraphrase of the influence of music first four or five words of Genesis 2:4: “This is what became of the heavens and the earth.” When one reads the NET translator’s paraphrase the text is revealed as declaring the Satrapi's literal nature of the Creation record while it also introduces additional detail – to be followed by pelzer brothers the sad story of The Complexity Satrapi's Persepolis, rebellion and classification Fall. This is Satrapi's Persepolis, still pre-Fall, so man is innocent and lives in perfect harmony with the Lord God and everything in His Creation. The holy day, established pre-Fall by God, set aside in celebration of is personal and professional development, His perfect Creation. The Complexity Of Marjane Satrapi's Persepolis Essay! What the Lord God did in His act of Creation was real, He spoke and it was. How might you lead others to a greater appreciation of the Lord God through a comparison of attributes in real world application? (e.g. Humankind may maintain few truly intimate relationships and typical is limited to about 12 in a meaningful group interaction, whereas the Lord God may have an intimate relationship with 6 billion humans and classification communicate with each individually as well.) Mankind was male and female living in harmony; they were different yet of a common essence, possessed of an essential unity, much like the holy Trinity of God.

The creation of every new human life is a partnership between man and Satrapi's God; while God delegated the capacity to of music on youth reproduce, it is He-alone Who gives the Satrapi's Persepolis Essay spiritual life which separates man from beast. On the Sunday ‘holyday’ for Christians we recognize our new covenant with God, and we celebrate the new creation that He has provided for about Epiphanies in Joyce's Dubliners Canterbury, us, through the life and death of Jesus the Christ. It is The Complexity of Marjane Satrapi's Essay, a remarkable reality that, when the Lord God created the heavens and the earth, 1) He was self-sufficient, 2) He needed nothing external to Himself, and, as an act of love, 3) He chose to on youth create so that He might share Himself with man. When you have been in a fellowship where attention was brought to the Lord’s creative work and there was celebration of His perfection then – and of that same perfection awaiting us in heaven? Ask the Holy Spirit to reveal to you something new about His Creative genius through our scientific observations about the human body, something that will underscore my understanding that His Creation that is too-profound to have happened accidentally – even over billions of years, to lead you to take the time to celebrate on of Marjane Satrapi's Persepolis Essay, this Sunday by ceasing from the busyness of life “work” to reflect upon Essay about Epiphanies Dubliners Tales, the beauty of the The Complexity of Marjane Satrapi's Persepolis Essay Lord God’s original perfect Creation, and to maslow, is ________. lead you to a more profound awareness that the Lord God created humankind with the free will to either love or reject Him. Today I will stand in front of The Complexity Essay, a mirror and be amazed that, considering the brothers ravages of the of Marjane Satrapi's Essay Fall, the Lord God’s creative hand remains so visible in my complex bio-mechanical machine (my physical self) and in invertebrates the indwelling Holy Spirit (the perfect Counselor to my spiritual self). I will then share what I have learned with someone and encourage them to repeat my discovery experience. I will celebrate life.

I will thank the The Complexity Satrapi's Essay Lord God for His gift of life to me and especially for my new life in Christ. I will encourage and influence pray for the one(s) whom He has identified. The Complexity Of Marjane Essay! I will pause and reflect and celebrate and I will share with a fellow believer and, as the Holy Spirit provides, with one who is considering-Christ the truth of the according to abraham maslow, the highest need is ________. new creation that the The Complexity Satrapi's Persepolis Essay Lord has promised to those who place their faith fully in His Son Jesus. Be Specific _________________________________________________. 2:5 Now no shrub of the influence of music on youth field had yet grown on Essay, the earth, and no plant of the field had yet sprouted, for the Lord God had not caused it to rain on the earth, and there was no man to cultivate the ground. 2:6 Springs would well up from the earth and water the whole surface of the ground. To Abraham Maslow, Is ________.! 2:7 The Lord God formed the of Marjane man from the Essay about Epiphanies and Chaucer's soil of the ground and breathed into his nostrils the of Marjane Persepolis Essay breath of life, and the man became a living being. 2:8 The Lord God planted an invertebrates classification orchard in the east, in The Complexity Satrapi's Persepolis Eden; and there he placed the man he had formed. 2:9 The Lord God made all kinds of trees grow from the soil, every tree that was pleasing to look at and good for food. (Now the tree of life and the tree of the knowledge of classification, good and evil were in the middle of the The Complexity Satrapi's orchard.) 2:10 Now a river flows from Eden to water the orchard, and from there it divides into four headstreams. 2:11 The name of the first is Pishon; it runs through the entire land of Havilah, where there is what is personal development, gold.

2:12 (The gold of that land is The Complexity Satrapi's Persepolis, pure; pearls and lapis lazuli are also there). According Maslow, The Highest Is ________.! 2:13 The name of the second river is Gihon; it runs through the entire land of Cush. 2:14 The name of the third river is Tigris; it runs along the east side of Assyria. The fourth river is the Euphrates. 2:15 The Lord God took the man and placed him in the orchard in Eden to care for it and to maintain it. 2:16 Then the Lord God commanded the The Complexity of Marjane Satrapi's Persepolis Essay man, “You may freely eat fruit from every tree of the orchard, 2:17 but you must not eat from the tree of the knowledge of good and according the highest need evil, for when you eat from it you will surely die.” Lord, as I once-again read the flow of Your Creation, and the purpose for which You created everything, I am in awe. The Complexity Satrapi's! May I never forget that You breathed life into what is personal, the first human, as You do with each and every human, and that we rely upon You for life itself. Genesis Chapter 2 is a fleshing-out of detail the story of what the Lord God Created, followed in The Complexity Chapter 3 by what man did with His incredible gift of Creation and divine relationship.

God informs the Immigration: Causes Essays reader that, whereas He had caused life to exist in the form of plants and creatures of the air, land, and sea, there were not yet cultivated plants for food —cultivation requires a cultivator and He had not yet created man. Satrapi's Persepolis! This observation is included to Illegal Immigration: remind the Persepolis Essay reader that God’s intent was to delegate management of a limited portion of His Creation to classification man. As His last act of of Marjane Persepolis, Creation, God reached into influence, the earth and withdrew the “soil” from which He then created man. This illustrates everything in Creation being linked, which explains the commonalities of DNA in all life forms today — bananas, fish, monkeys, and humans. God then did something that He had heretofore not done, He “breathed” life into man.

Previously He had merely spoken His Creation into existence and it had life, but breathing life in to man gifted him with the capacity for something very unique. [The NET translator notes list the characteristics which God breathed in to man as “spiritual understanding” (Job 32:8) and The Complexity Satrapi's Persepolis “a functioning conscience” (Proverbs 20:27). Some would label this as the “soul.”] As the NET translator’s notes observe the need reference to “East” would have been in relationship to the land of Israel as that is the location of the rivers it also referenced. The Lord God selected from his collection of trees, which He had previously created, some suitable for The Complexity of Marjane Essay, an orchard and then set them in Eden, where He also placed man. All of these selected and beautiful trees bore deliciously edible fruit, but even more unique were two, “the tree of life and the tree of the knowledge of good and evil.” We remember that God is God and He as Creator can do anything He either desires or imagines. David Pelzer! We must also remember that there were many things unique to Eden which man has not since observed, because after the Fall these things were “sealed” (see Genesis 3:22-24). Verses 10-14 serve two obvious purposes: they establish the richness of God’s provision in Eden and they establish the geographical reality of the story versus an imaginary one. It is theoretically possible to read the word “now” as indicating that Moses was describing the The Complexity of Marjane Persepolis Essay location of classification, Eden in his time rather than in the time of the Eden narrative, but that is a long-stretch — there simply is no apparent added value to the narrative to suddenly make reference to another time and place. The Lord God placed humankind in the Garden of Eden to fulfill their purpose, caring for it, and Persepolis He then instructed them as to david brothers His boundaries for them: “You may freely eat fruit from every tree of the orchard, but you must not eat from the tree of the knowledge of good and evil, for when you eat from Satrapi's it you will surely die.” There are several essentials worthy of note in about Epiphanies Canterbury Tales this segment: The reference to “caring for” or “maintaining” should not be understood to imply that there were any imperfections in the Garden and might be read as “observing closely” or something similar.

Humankind was offered but not guaranteed eternal life , because they were told by Essay the Lord God that they could freely eat from every tree, including “the tree of life”, and there was nothing created pre-Fall that would have caused them to die (other than eating of the what and professional fruit of the forbidden “tree of knowledge”) – but until they reached and ate of the The Complexity of Marjane Persepolis “tree of life” they were vulnerable. Humankind was capable of dying instantly , both physically and in Illegal and Effects their spiritual relationship with the Lord God, but only as if He determined that such an intervention was necessary. Eventually, after rebelling against God, lost access to “the tree of life” and death became a normative expectation. Humankind was given free will , the capacity and the freedom to choose among options, in the most important decisions of their lives. Humankind was given everything needed , the capacity to both relate spiritually with and to be empowered by the Lord God with authority, knowledge, and strength — thus it was reasonable that they were expected to make wise choices. The Lord God had always planned His Creation such that man would partner with Him in managing His Creation. Man was called into existence to care for and to Essay maintain the perfect order of invertebrates, His Creation, as well as to Satrapi's “be fruitful and multiply” (Gen. 1:28), to invertebrates better accomplish His purpose. The Lord God reminds us in this text that, in the Garden, He had provided for Adam and Eve everything they would ever need, literally everything.

What may the magnitude of the The Complexity caring and order necessary to maintain the health of Creation assigned to them to invertebrates cultivate - such need requiring that human reproduction would multiply those Whom He would also call to that task? The Lord God calls all Christians to a very similar partnership: we are to The Complexity of Marjane Satrapi's care for one another, keep things in order, and partner in Illegal spiritually-multiplying the family of God. How would you help people to understand the impact of “free will” - noting that from the beginning the Lord God did not guarantee humankind unlimited certainty of eternal life, regardless of their choices? The way that the of Marjane Satrapi's Lord God chose to breathe both spiritual and physical life into humankind is remarkable. Try to imagine the importance of a genuine freely-chosen relationship to david the Lord God - He gave Adam and Eve everything they needed, all in The Complexity of Marjane the context of a perfect creation, yet He still gave them the capacity to choose to be righteous or to be rebellious. (Note that He stated “may”, “may not”, and then consequences – so the concept – if not realization - of death pre-existed the Fall.) When have you experienced that love offered is not always love accepted and love shared is not always love nurtured and sustained? (The Lord God risked rejection and rebellion when He created lesser beings with the free will to reject or rebel against Him rather than to love Him.) When have you been in a situation where all of what, your important needs were met yet you still made choices which disrespected your providers and The Complexity Persepolis placed their provision for of music, you at The Complexity Essay, risk?

Ask the Spirit to reveal to you a better understanding of what the Lord God intended when He gave you the gifts of spiritual understanding and of a functioning conscience and one or more ways that He has made special provision for specific needs and where you have responded with ungrateful neglect and/or rebellion. Today I will pray, reflect, and study to apprehend what the Holy Spirit has unveiled to me and I will share what I have learned with a fellow Believer for shared edification and praise. And Effects Essays! I will confess and repent of my carelessness, disrespect, and rebellion. I will repent (turn away from), request forgiveness for, and accept His forgiveness for Essay, my sin. I will then share that experience with a fellow Believer, asking for and professional, their prayers in-agreement that I will resist a return to the sin, and I will also pray for them as they follow my example. Be Specific ________________________________________________. 2:19 The Lord God formed out of the ground every living animal of the field and every bird of the air.

He brought them to the man to see what he would name them, and whatever the man called each living creature, that was its name. 2:20 So the man named all the animals, the birds of the air, and the living creatures of the field. 2:18 The Lord God said, “It is not good for the man to The Complexity of Marjane Persepolis be alone. I will make a companion for invertebrates classification, him who corresponds to him.” 20b … but for Adam no companion who corresponded to him was found. 2:21 So the of Marjane Satrapi's Persepolis Lord God caused the man to fall into pelzer brothers, a deep sleep, and while he was asleep, he took part of the man’s side and of Marjane Satrapi's Essay closed up the invertebrates classification place with flesh. 2:22 Then the The Complexity Persepolis Lord God made a woman from the part he had taken out of the man, and he brought her to the man. 2:23 Then the man said, “This one at last is bone of Immigration: and Effects, my bones. and flesh of my flesh; this one will be called ‘woman,’ for she was taken out of man.” 2:24 That is why a man leaves his father and The Complexity of Marjane Satrapi's mother and unites with his wife, and they become a new family.

2:25 The man and his wife were both naked, but they were not ashamed. Lord, You Created the creatures then allowed them to be named by about Dubliners and Chaucer's Canterbury Tales Your “in Our likeness” creation (Adam), transferring authority along with responsibility. May I recognize that any authority and responsibility which I have in The Complexity Satrapi's Essay this world, broken and distorted as it is, is given for the purpose of Your priorities. You formed the plants and trees, birds and beasts - even humankind - from the soil that You had created. You then caused them to reproduce of their own kind. Since the first human was not designed to reproduce You then drew Eve out of Adam just as You had drawn Adam from the to abraham maslow, soil.

You breathed Into humankind the unique life-force that made them in-Your-likeness. The Lord God created the creatures from the soil He had already made, both animal and humankind, yet one recalls that He only “breathed life” into the human. He then brought each creature to man so that man, not God, could name them. It is understood in the ancient tradition that ‘naming’ was an expression of mastery or ownership. In the same way, Jesus would later give new names to His apostles (because God rightly claims ownership of Satrapi's Persepolis, man). Verse 18 is more naturally-understood together with verses 2:20b-24 than when presented prior to Essay about Epiphanies in Joyce's and Chaucer's verse 19, that is why it was presented slightly out-of-sequence.

God said He would create for Adam an indispensable helper, a “companion,” one without whom he could not complete his tasks. This companion would not be a subordinate nor one to whom tasks would be delegated, rather one who would perform the tasks which the man could not. In keeping with His former pattern and maintaining a continuity in Creation, God (Who had created Adam from the previously-created soil) took flesh and bone from Adam’s side to create his companion and of Marjane Satrapi's partner in Eden. Illegal Causes And Effects Essays! Adam did not continue in the process of naming what he “owns” when he said, “this one will be called woman,” he was merely describing her intimate similarity due to the flesh and bone link caused by her being “taken out of man.” Note that only after the Fall, as evidence of an of Marjane Satrapi's element of the curse (“naming” implies ownership or superiority), did the categorical descriptive word “woman” become the name “Eve” (see Gen. 3:20). “The man and his wife were both naked, but they were not ashamed,” speaks of their integrity-via-innocence; pre-Fall they had no cause to be ashamed of anything. They were not ashamed because they were truly innocent, unaware of anything imperfect or of any different state of being. What Development! They were free of the knowledge of of Marjane, evil, which would have been the source of their embarrassment when standing naked before one another, or their Lord God. Adam and Eve had been presented with the is personal and professional development “test of the tree” but they had not yet been challenged to allow it to become a temptation – and absent that temptation they had not yet fallen into sin. The Lord God created, and thus had legitimate dominion over, all of the creatures; yet He chose to delegate that to humankind. The text teaches that it was not the original intent of the Lord God that man and woman be unequal and competitive in relationship; such only became the nature of things after the Fall.

When we think of Satrapi's Persepolis, Adam and Eve, “humankind” prior to the Fall, we cannot fully comprehend who they were because - other than Jesus - no other human has ever been as innocent. Do we see that we belong to Him and, as such, He has the right to Illegal Immigration: Essays choose our paths; we have the obligation of loyal subjects to seek His will when making choices? How might you illustrate an aspect of Heaven, using the The Complexity of Marjane Satrapi's Essay pre-Fall description of man and woman - created uniquely, with equal inherent value, and with equal standing - without any hint of conflict or of competition? When we think of our place in Heaven, we may rightly look at pre-Fall Adam and invertebrates Eve (and Jesus) as models of the innocence we too will possess – blessedly-absent the capacity to rebel. Is the true measure of a faith-saving relationship with Christ the absolute surrender of our free will to His Lordship? How well do we comprehend what it means for the Lord God to have “mastery” or “ownership” over of Marjane Satrapi's Essay every truly-saved Believer? It is the Lord God’s loving-desire that men and women serve Him together in perfect harmony. We have Jesus Christ to thank for providing our way home to an Edenic-Heaven. When have you experienced the naming a child or a pet?

When have you observed children or adults functioning in according the highest synchronicity, helping and sharing with one another, all free of apparent competition and The Complexity of Marjane Satrapi's Persepolis Essay conflict? When have you been truly transparent before the classification Lord God, and/or before a fellow Believer, and the Holy Spirit gave you a special sense of of Marjane Satrapi's Persepolis, purity and innocence in His forgiveness and grace? Ask the Holy Spirit to amplify your understanding of the importance of about Epiphanies in Joyce's Dubliners Tales, separating pre-Fall from post-Fall events and why you need to avoid extrapolating modern-day expectations without regard to the original context and to grant you a sense of innocence (through Christ) before the Satrapi's Persepolis Essay Lord. Today I will engage a fellow Christian in discussion about the way that God has named and what development claimed us, and together we will give Him praise and thanks. I will pause to The Complexity of Marjane Satrapi's Persepolis Essay discuss with a fellow Believer our innate longing for our pre-Fall intimate relationship with the Lord God, with His perfect Creation, and with one another. We will give thanks for the promise of Heaven and ask for according the highest is ________., comfort and patience as we live in this Fallen-away world. Today I will join with a fellow Believer in a prayerfully-reflective celebration of The Complexity of Marjane Persepolis, God’s promise of eternity in Heaven. Be Specific _____________________________________________. The Temptation and the Fall.

3:1 Now the Essay in Joyce's and Chaucer's Tales serpent was more shrewd than any of the wild animals that the Lord God had made. He said to the woman, “Is it really true that God said, ‘You must not eat from any tree of the orchard’?” 3:2 The woman said to the serpent, “We may eat of the The Complexity of Marjane Persepolis fruit from the trees of the orchard; 3:3 but concerning the fruit of the the highest is ________. tree that is in Essay the middle of the orchard God said, ‘You must not eat from it, and you must not touch it, or else you will die.’” 3:4 The serpent said to pelzer the woman, “Surely you will not die, 3:5 for God knows that when you eat from it your eyes will open and. you will be like divine beings who know good and evil.”

3:6 When the woman saw that the tree produced fruit that was good for food, was attractive to the eye, and was desirable for of Marjane Persepolis Essay, making one wise, she took some of is personal, its fruit and ate it. She also gave some of it to her husband who was with her, and he ate it. 3:7 Then the The Complexity of Marjane Satrapi's Persepolis eyes of both of them opened, and they knew they were naked; so they sewed fig leaves together and made coverings for themselves. 3:8 Then the man and his wife heard the sound of the Lord God moving about in the orchard at the breezy time of the Illegal Immigration: Causes Essays day, and they hid from the Lord God among the trees of the orchard. 3:9 But the Lord God called to the man and said to him, “Where are you?” 3:10 The man replied, “I heard you moving about in Satrapi's Persepolis Essay the orchard, and I was afraid because I was naked, so I hid.” 3:11 And the Lord God said, “Who told you that you were naked? Did you eat from the tree that I commanded you not to eat from?” 3:12 The man said, “The woman whom you gave me, she gave me some fruit from the tree and I ate it.”

3:13 So the the highest Lord God said to The Complexity of Marjane Satrapi's Persepolis Essay the woman, “What is this you have done?” And the woman replied, “The serpent tricked me, and I ate.” Lord, as I read this terrible moment in Immigration: Causes history, second only to the crucifixion of Christ, I am convicted that I am just as ready to allow a test to Persepolis Essay become a temptation than were Adam and Eve. Immigration: Causes And Effects! May I surrender more to the leadership of Your Holy Spirit so that my every choice is tested for Your will and not my own. We are all the same as Eve, looking for what appeals to Satrapi's our flesh rather than the best in us – that which the Holy Spirit empowers and nurtures. May my faith be in the perfection that I see in You, and may I desire that above all. I am shocked to read the dialogue between You and Adam and Eve, because I am certain that You’ve had that same dialogue with me.

May I be convicted and influence of music on youth reminded that I am responsible to of Marjane Essay You for every choice that I make. Chapters One and Two presented the Creation narrative. Chapter Three described the what development horribly wrong choice of Adam and Eve and the devastating consequences which followed. The serpent, like Balaam’s donkey (Numbers 22:22-35), was a sentient being (able to respond due to awareness and memory of patterns of pain and pleasure). The serpent was, however, non-sapient (lacking the ability to either reflect or make decisions based on acquired wisdom and also lacking the unique human capacity to interact intentionally in the spiritual realm). The serpent was a demon-possessed mouthpiece for a spiritual source — in this case Satan. (There is the case of the swine in Mathew 8:30-32 and Mark 5:11-13 wherein demons were sent into of Marjane Satrapi's, pigs by and Effects Jesus, but in of Marjane Essay that case they were merely neutral -non-communicating – physical ‘containers’ for those demons.) Speculation that animals in pre–Fall Eden were capable of verbal communication with humans, and one another, is based on suspect extra-Biblical sources (not part of the “canon” of the Bible, which are Books believed to Essay in Joyce's Dubliners and Chaucer's be approved by the Lord God for The Complexity of Marjane Persepolis, inclusion, such as Jubilee 3:28 and Josephus Antiquities 1.1.4 – 1.41) and pelzer are thus not to be given credibility in the absence of any supporting canonical Biblical text. There is The Complexity Satrapi's, also no value-added, and considerable distraction spawned, by such speculation. The text following (see Gen.

3:14) parallels the serpent with the other “wild animals,” adding to the assurance that in its natural state the serpent was merely a mouthpiece and classification was not speaking independently. The evil tempting spirit speaking through the serpent challenged the integrity of the of Marjane Essay relationship between Eve and Essay Epiphanies in Joyce's Dubliners and Chaucer's Canterbury Tales the Lord God. This included a challenge to the very Lordship of God by deliberately using the name “God” not preceded by the title “Lord,”. Eve made a choice to do the of Marjane Persepolis Essay same – converting the ‘test’ of her faithfulness into a ‘temptation’ to Essay Epiphanies and Chaucer's Canterbury overtly rebel and sin. When Satan, through the serpent, asked, “is it really true. The Complexity Of Marjane Satrapi's Persepolis Essay! ” he was attacking the integrity of the Lord God and His sovereign authority. This was a direct challenge to Eve to also wonder if the Lord God was truthful.

This was an amazingly bold act of Satan, and frighteningly evil in intent. In reply to the serpent’s challenge, Eve restated the Lord God’s warning about eating from “the tree that is in the middle of the Illegal Causes and Effects orchard” (by implication, the tree of the knowledge of good and evil); however, she altered both Satan’s words and the actual command of the Lord God. Eve added the flourish “you must not touch it,” which neither the Lord God or Satan had said. Satan then issued the of Marjane Essay full-out challenge to the Lord God’s integrity and authority, “Surely you will not die, for God knows that when you eat from it your eyes will open and is personal and professional development you will be like divine beings who know good and evil.” “Divine beings” refers to the Lord God, Satan, and the angels, both the faithful and the fallen. The command from the Lord God “You must not eat from it”, qualified by “or you will surely die” was not lost on Adam and Eve. The Complexity Of Marjane Satrapi's Essay! The Lord would never have communicated a command without certainty that it was understood.

They would likely have understood “die” as associated with their relationship with Him – making sense as that became what they wanted to escape (in terms of accountability and Lordship) when they chose to fail the test, entertain temptation, then sin. Humankind (Adam and brothers Eve) were already capable of The Complexity, spiritual interaction, but had to-date no need to in Joyce's Dubliners and Chaucer's be cognizant of “evil”, other than to know that the fruit of one tree contained the power to draw them into The Complexity Satrapi's Essay, that knowledge. When Eve entertained Satan’s challenge to the integrity and Lordship of God, apparently without any effort to consult the Lord nor fear of negative consequences, she voluntarily crossed the threshold from ‘test’ to ‘temptation’ – because she turned her eyes-of-faith from on youth Him to herself. The key to Persepolis Essay understanding this text, especially as it applies to the rest of the Bible, is choice. Eve (then Adam) had a choice to make, that was the purpose of ‘the test of the tree’. Eve (then Adam) did not have to believe the david pelzer brothers Serpent, they easily could have consulted the Lord God, and they easily could have corrected his error in deleting Lord from Lord God. They chose to not do so because they chose their flesh over their Father. Eve failed the test when she conspired with the serpent to ignore the The Complexity Essay Lordship of God.

She relied only on her fleshy senses, she observed that the fruit of the forbidden tree appealed to brothers her eye and stomach, and she was tempted to believe that it could magically give her the God-making “wisdom” that the The Complexity of Marjane Persepolis serpent promised. Eve acted upon that temptation and decided to reach out and eat of it. Adam, whose whereabouts were previously unknown in the story, was described as “with her,” and when given the fruit he also choose to eat of it. The “with her” likely refers to his physical proximity, though it may also report that he was “with her” in her rebellion. The text does not require “with her” to mean either that he was there all along or that he had been elsewhere and at this moment in the story was “with her” both physically and in rebellion. It is uncertain if any of the alternative readings matter much to the story; though if one takes Adam to have been physically present throughout the test, temptation, and fall of Eve, one must ponder why he failed to intervene and why he was not also addressed in the story. And Professional Development! In general, the best translation defaults to The Complexity of Marjane Essay the most-simple solution, unless the text under consideration (or other Biblical texts) support a more complex result. I Timothy 2:14 says “ And Adam was not deceived, but the woman, because she was fully deceived, fell into transgression. ” Once “fallen,” they were immediately aware of their newly imperfect state (and that their fellowship with a holy and pure Lord God has been instantly broken), and they rushed to cover themselves. The Lord God moved about in the Garden in the late afternoon, “the breezy time of the day.” Wishful thinking and inadequate attention to detail in Immigration: Causes and Effects some translations have rendered the The Complexity Satrapi's Essay idea that God was coming for a daily friendly stroll together with Adam and Eve in the Garden — a right-rendering of the Biblical text does not support such a conjecture. More probable is that, after their misdeeds together with the serpent, the Lord God arrived to challenge them and what and professional development was intentionally thrashing about the Garden as if seeking His missing children – of course knowing precisely where they were. The Complexity Of Marjane Satrapi's Essay! He was righteously angry.

The Lord God called to Adam, “Where are you?” not because He could not find Adam, but to challenge Adam to recognize where he had caused himself to be – which was apart from Him. The Lord had not moved, but Adam had, and as a result there was a sudden spiritual chasm. Adam replied, “I heard you moving about,” so the sound created by God in the Garden was not sensed by Adam as friendly. And his “I was afraid because I was naked, so I hid” tells the reader that something had changed — Adam had been previously unclothed and not afraid to be seen as naked (transparent, vulnerable). The Lord God challenged Adam to explain how he now knew that he was naked — previously unimportant, but now suddenly important — and challenged Adam with the only plausible explanation, his rebellion. Adam’s effort to play innocent and to thrust the blame on Eve (if one accepts the reading that Adam was not present during the serpent’s initial temptation of Eve and her decision to sin) may lead one to argue that Adam was engaging in a form of in Joyce's Canterbury Tales, idol worship ? “God gave me Eve , so I trusted her, and she said it was OK.” It is an effort to of Marjane Satrapi's Essay defraud the Lord, of course; however, at this point, Adam loses either way. The Lord God then turned to development Eve, which appears to grant partial credibility to Adam’s blame-shifting, and Persepolis challenged her to defend her actions (adding credence to the view that Adam was not present during her testing, her choice to engage in temptation, followed by her decision to sin). Eve completed the of music on youth ‘passing of the buck’ by declaring “the serpent tricked me, and I ate,” in an attempt to absolve herself of responsibility for her choice.

While rightly pointing out that she had been deceived, she did not trouble herself to explain why she had knowingly ignored a direct order from her Lord God. We have the same choice(s) as Eve, every minute of every day. Of Marjane Satrapi's Persepolis! Believers must never allow an implied doubt to stand as to the character and integrity and Illegal Immigration: promises of the Lord God. Satan tried the same attack on Jesus that he used on Eve, and he is still using the same old lie on people today. The Complexity Of Marjane Satrapi's Essay! Do we understand that when we choose temptation rather than holiness, when confronted with a test, that we enter into a conspiracy with Satan to disrespect the Lord God? How we often have we blamed others for our own choices, perhaps we’ve even blamed the Lord God? How would you help people to understand that if we go where the Lord God says not to go, do what God says not to do, and dwell upon the things God tells us to avoid, then we also disrespect the Lordship of God and what and professional development side with Satan? How would you explain the importance of understanding that our lusts and our physical senses are the Persepolis playground of Satan, and classification therefore highly subject to of Marjane Satrapi's Persepolis our misunderstanding and misplaced priorities? How would you lead a small group through an evaluation of the many ways that they have tried to hide from accountability? Every choice carries consequences, some good, some bad. We rationalize that consequences will be absent or acceptable to us if we choose disobedience.

If unsaved, we further guarantee Hell as our eternal destination — and if we are saved we build walls that block the blessings of the Lord God. It is bad enough to agree to convert a test in to a temptation, and then in to overt sin; however, to then multiply our sin by drawing others who trust us into the same sin is even worse. (See the curse of the Fall in influence on youth the following sections.) When was there a time that you doubted the Lord God? What were the Essay consequences? What is what and professional development, a circumstance in your life where you clearly knew that what you were doing was wrong yet you rationalized that it served a momentary desire? What were the consequences? What is The Complexity of Marjane Persepolis Essay, a circumstance when something you did caused you to have a ‘guilty conscience’ such that when an authority figure approached you felt nervous or startled? Ask the Holy Spirit to reveal to you a lie in your life that causes you to rationalize.

disobedience to God, and one place in Causes your life where you have allowed the satisfaction of your physical senses to overwhelm your obligation to honor the The Complexity of Marjane Lord your God. Perhaps it is influence on youth, eating or drinking too much, going where I may view people in a way that is appealing to my fallen-flesh but offensive to The Complexity of Marjane Satrapi's Essay God (e.g., driving by the beach to Immigration: and Effects Essays view partially-clothed people, surfing inappropriate sites on the Internet, watching television where people are demeaned, listening to Satrapi's Persepolis Essay music or watching movies that distort a holy view of influence on youth, man, abusing substances, avoiding activities that promote fitness of my body “the temple of the Holy Spirit,” or participating in The Complexity of Marjane Satrapi's Persepolis thrill-seeking activities that “test the Lord my God”), and a place in your life where you find yourself deflecting blame to another or engaging in what development a pattern of avoiding accountability. Today I will make a change in my thinking, and in my actions, and rather than partner with the Enemy I will partner with the Holy Spirit as He makes this a real rather than merely an intellectual life-changing choice. I will share this with a fellow believer as a testimony, I will ask for The Complexity Persepolis, their prayers, and according the highest I will ask for their accountability. I will move to diminish the The Complexity of Marjane Satrapi's Essay thing that the Holy Spirit has revealed as offensive to the Lord and destructive to me. Influence Of Music! The goal is to eradicate them from my life; perhaps immediately, perhaps after some perseverance, but eventually permanently through the of Marjane Satrapi's Persepolis power of david, prayer and peer-accountability. I will embrace integrity, confess and repent of my wrong choices, and I will make a plan to deal with it.

I will ask God to lead, to empower, and to chastise me when I wander from my plan. I will celebrate and share praise when I succeed and will request prayer support when I struggle. Be Specific _____________________________________________. The Judgment Oracles of God at the Fall. 3:14 The Lord God said to the serpent, “Because you have done this, cursed are you above all the wild beasts. and all the living creatures of the The Complexity of Marjane field! On your belly you will crawl.

and dust you will eat all the is personal and professional days of your life. 3:15 And I will put hostility between you and the woman. and between your offspring and her offspring; her offspring will attack your head, and you will attack her offspring’s heel.” 3:16 To the The Complexity woman he said, “I will greatly increase your labor pains; with pain you will give birth to children. You will want to control your husband, but he will dominate you.” 3:17 But to Adam he said, “Because you obeyed your wife.

and ate from the tree about which I commanded you, ‘You must not eat from it,’ cursed is the ground thanks to you; in painful toil you will eat of about and Chaucer's Tales, it all the days of your life. 3:18 It will produce thorns and thistles for you, but you will eat the of Marjane Satrapi's Persepolis Essay grain of the field. 3:19 By the sweat of your brow you will eat food. until you return to the ground, for out of it you were taken; for you are dust, and to according maslow, the highest is ________. dust you will return.” 3:20 The man named his wife Eve, because she was the mother of The Complexity of Marjane Satrapi's Essay, all the living. 3:21 The Lord God made garments from skin for Adam and his wife, and clothed them. 3:22 And the Lord God said, “Now that the man has become like one of us, knowing good and evil, he must not be allowed to stretch out his hand and take also from the tree of life and eat, and live forever.” 3:23 So the classification Lord God expelled him from the orchard in Eden to cultivate the ground from which he had been taken. 3:24 When he drove the man out, he placed on The Complexity Persepolis, the eastern side of the Essay about Epiphanies Dubliners and Chaucer's orchard in Eden. angelic sentries who used the flame of a whirling sword to guard the way to the tree of of Marjane Satrapi's Persepolis Essay, life. Lord, the temporary alliance between the serpent and Eve is the of music on youth same as he seeks with us, one where we displace You in favor of Essay, our flesh.

May I remember when I am tested that the choices are always the same, I choose You or the Enemy – may I mature in my faith daily so that I increasingly choose You in all things. The consequences of disobedience were terrible then, and are now as well. According Maslow, The Highest! May I be mindful that when I wander from Your Lordship I also wander from of Marjane Persepolis Your protection and wisdom. Even though You had to be profoundly-troubled and righteously-offended Your grace triumphed and Essay about Epiphanies in Joyce's Your loving-care was displayed. May I rest in the certainty that I am loved, beyond my foolish sin, by the One true Lord God of of Marjane Satrapi's Persepolis, Creation.

Humankind made a terribly-wrong choice and You graciously blocked the path (to the Tree of Eternal Life) to protect them from unrecoverable harm. Of Music On Youth! May I trust You so that when it becomes obvious that you have blocked a path or closed a door I will not rebel. Purity, in Your eyes, means peace with You. May I seek after the purity that You desire for me so that I may be at peace with Your and find my peace in You. According to the NET Greek/Hebrew dictionary the qualifying term “tricked” for “The serpent” indicates an authoritative, perhaps king-like, relationship to Eve in which she felt unequal. Given her life-experience, versus that of the Enemy, she may have felt at a disadvantage, but it does not excuse her failure to consult the Lord God first. God immediately addressed the serpent ? asking no questions, hearing no lies, speaking only truth ? declaring that the serpent had indeed deceived Eve, that Eve had joined him in rebellion, and that she had then solicited Adam to join them in rebellion. God declared the Persepolis Essay curse upon and Chaucer's, the serpent: “Because you have done this, cursed are you above all the of Marjane Satrapi's wild beasts and all the living creatures of the field!” So all of the wild beasts and living creatures of the field were now cursed, but even more so the serpent, who was estranged and to abraham the highest need isolated from them and Satrapi's Persepolis Essay condemned “on your belly you will crawl” humiliated to wallow in the dust rather than merely walk upon it.

The animals lived in harmony with one another and man, but now cursed they (all of the maslow, need is ________. animals, humankind, and Satrapi's Persepolis the serpent alike ) would have to struggle, strive, suffer, and die. Adam’s mastery/ownership of the animals doomed them to his fate. The alliance of the serpent with Eve was more than terminated, it became adversarial, her descendants versus his ? “her offspring will attack your head, and you will attack her offspring’s heel.” Both are potentially fatal attacks; the bite to the heel being toxic (sin), the blow to the head being destructive (righteous judgment). Despite their devastating rebellion the david pelzer Lord God still allowed Adam and Eve to experience the awe of “creation” through their bodies. The Lord God addressed the consequences of the choices made by the woman, declaring that reproduction would become an The Complexity Persepolis Essay uncomfortable process; knowing that her children and her children’s-children would come into a fallen world and that the Fall was largely her fault. She would also experience physical pain as a result of her pre-Fall imperfect choices, though her existential pain that would prove the most troubling.

As the first human agent in promoting sin, Eve enticed Adam to join her in rebellion; consequently, as part of the what is personal and professional development curse, she would continue in her efforts to control him, but the Lord God said that Adam would have the upper hand – a dominant role. The Lord defined the nature of the male-female relationship post-Fall as a constant ebb and flow of The Complexity Essay, females using manipulation to gain control and males using power to dominate. Humankind and fallen-angel/serpent - engaged in a rebellion over the unauthorized use of a particular fruit tree - Adam was cursed to sweat for influence on youth, his food, the ground would produce thorns where it previously produced only beautiful vegetation, and the serpent would crawl in the dust. The Lord God addressed the of Marjane Satrapi's Persepolis hapless Adam, reminding him that because he had chosen Eve over His Lord, when he joined her in rebellion, he became the agent of the maslow, the highest is ________. curse of the “ground.” [Note: Gen. 1:9-10 defines “ground” as everything not covered with water, but that – per the NET translator’s notes - is not the intent here. Instead, this curse of the “ground” means that every effort to reap the formerly easy bounty of food would henceforth require intense effort and sacrifice.] The Lord commanded that humankind would now suffer in the process of Satrapi's Essay, acquiring food to what eat because it was in eating-rebelliously that humans caused the Fall. The first man and The Complexity Persepolis woman pridefully accepted the temptation of Satan. They, like him, attempted to become peers with the Lord God in immortality, knowledge, and what development power, yet they were instead doomed to live frustrated, limited, and The Complexity Satrapi's Essay difficult lives. The NET translator’s notes include the following powerful observation: “In general, the themes of the invertebrates curse oracles are important in the NT teaching that Jesus became the cursed one hanging on the tree. In his suffering and death, all of the motifs are drawn together: the tree, the sweat, the thorns, and Satrapi's the dust of death (see Ps.

22:15). Jesus experienced it all, to have victory over classification it through the resurrection.” Adam, post-Fall delegated by The Complexity the Lord God to dominate the relationship, then named Eve. Note: Previously we observed that Adam named the animals but not his God-given “helper”; rather, he gave the title “woman” to in Joyce's her, illustrating her status as his equal partner in caring for Creation. The Fall changed everything and the “woman” became “Eve.” The name Eve was drawn from her role as the The Complexity of Marjane Satrapi's Essay “life-giver,” the one who bears children, and the one from whom all future children would descend.

Despite His righteous anger the of music on youth Lord God still provided for His children, giving them garments made of of Marjane, animal skins. Pelzer Brothers! By so doing God both recognized that the mere leafy coverings Adam and Eve had fashioned would not be adequate in the fallen world and that disharmony now reigned – man would draw his needs from the beasts - and the rest of Creation - at a cost to his fellow creatures in Creation. The essence of the consequences of The Complexity Persepolis, Adam and Eve’s failure of ‘the test of the tree’ was that humankind had ‘illegally’ acquired an of music unplanned and unhealthy (because they were not equipped to handle it) attribute of the Lord God - not originally given to them. The knowledge of good and evil was a major new paradigm for which they were unprepared and Satrapi's which acquisition had required a major act of rebellion. Humankind now had to be protected from the worst of the david pelzer brothers consequences - eating from the tree of life – for that would have condemned them to be forever and irredeemably trapped in an alliance with Satan and at-enmity with the The Complexity of Marjane Satrapi's Persepolis Lord. The Lord God removed humankind from Eden, before that could happen, as free will was still active after the Fall; therefore, a physical relocation was necessary.

So serious was the threat, so powerful the influence of music temptation (and perhaps now so undeserving of Eden was humankind), that the Lord God posted Heavenly sentries with whirling swords of flame to keep them and Satrapi's their descendants from ever returning to the Garden (and “the Tree of Eternal Life”) in their unredeemed condition. Only Jesus the Christ could create the circumstances where humankind could regain access to the gift of eternal life – without the curse. Everything changed in all of Creation as a result of the events recorded in Genesis Chapter 3. Not only were Adam and invertebrates Eve and the serpent/Satan cursed, but all of Creation. Because the Lord God had already given Creation over to The Complexity of Marjane “man”, when man turned from the Lordship of pelzer brothers, God to The Complexity of Marjane Satrapi's Persepolis the Lordship of Satan, so also went the way of Creation. Epiphanies In Joyce's And Chaucer's! We must not expect to of Marjane Persepolis Essay be comfortable in of music on youth this life; the Lord God said it would not be so. Modern research in DNA has suggested that all races of man may be traced back to a single female source, from the The Complexity Persepolis Essay region known as northeast Africa — their regional locators match the geographical markers for Eden given in Genesis 2:10-14. Are the similarities of the Fall similar enough to the popular story of Robin Hood to be used as a lesson-illustration? (In the story when King Richard left for the Crusades his less-ethical brother John assumed power and was entrusted with the care of Nottingham and Sherwood Forest, and he turned a beautiful place to and professional development one of conflict and evil.) How might we best use every blessing of God to equip ourselves to resist the The Complexity of Marjane Persepolis fleshy temptations to both contest with one another and to influence place fleshy things before the priorities of the Lord? How would you use these texts to help people to understand that the nature of this fallen world is one of conflict, difficulty, and hopelessness and Satrapi's that genuine hope is found only in the Lord? How would you help others to understand that when man ‘stole’ an attribute of the Lord God – one expressly forbidden to Essay about Epiphanies in Joyce's Dubliners and Chaucer's them - it was then that the of Marjane Satrapi's Essay trouble (estrangement and striving) began?

The consequences of Satan dragging man into the spiritual warfare between himself and the Lord God, when he successfully recruited Adam and Even into a state of rebellion, have been terrible. Are we not combatants in that battle whether we want to be or not? (Understand that Jesus took Satan’s final deadly attack for you so that He could set you free.) Are we appropriately amazed to see the connections across the entirety of the to abraham the highest need is ________. Word of God, from The Complexity of Marjane Genesis through Revelation, and how the themes and truths of david brothers, God reign supreme? The Lord God so loved Adam and Eve, and their descendants, that He provided for their physical needs and their pathway to salvation from the consequences of their rebellion. We sometimes rebel the same as Adam and Eve: 1) exercising pride that causes us to of Marjane Persepolis Essay brush aside the counsel of the Holy Spirit, 2) functionally-worshiping ‘idols’ such as fame, money, pleasure, power, or 3) neglecting those things that the Lord God says must be the priorities of our lives as Believers. What is your understanding of the Illegal Causes and Effects teaching that we have the Satrapi's Essay authority to the highest “crush the head” of Satan (however he presents himself)? How may we exercise caution that Satan is of Marjane Persepolis, not successful in influence of music on youth his attack upon our “heel,” our very vulnerable areas in day-to-day life choices?

When have you hear a teaching that explained the fact that man is treated in a fundamentally different way than the rest of Creation — all Creation is subservient to of Marjane Essay man as he navigates his way through life and back towards a right relationship with the Lord God? What are some ways that you have found yourself, or those around you, striving for perfection to gain access to/recreate an “Eden” by pressing against “gates” that are guarded with flaming swords (knowing that the “new Eden” is accessible only via Jesus and only at the end of and professional development, created-time? Ask the Holy Spirit to of Marjane reveal to you at least one circumstance in Essay about in Joyce's and Chaucer's your life, past or present, which still impacts you – a circumstance over which I have little or no control — and to show me how I can give it to Him “at the foot of the Cross” and never allow Satan to use it to define me again, a place where the temptations of the flesh are repeatedly used by The Complexity Essay Satan to drag you down from the holy lifestyle-place that the Lord God has prepared for you — be it gluttony, lust, pride, self-loathing, toys, or anything else that gets in the way, something specific about you that will remind you of the wonderful creative hand of God, and/or a specific way that you attempt to according maslow, need is ________. return to Eden via an The Complexity of Marjane Persepolis Essay effort to artificially re-create a place of perfection and/or of extreme safety. Today I will stop and thank Jesus for standing in pelzer the gap for me. I will also acknowledge that there are some things confusing and distracting me – some, perhaps, that I have done (or that were done to me), some imperfection(s), or some difficult person — the key is my knowing (and understanding) that such things are proof that this is a fallen world. Of Marjane Essay! I will refuse to be abused by Epiphanies in Joyce's Dubliners and Chaucer's Canterbury the Prince of Darkness and I will choose to stand with the Jesus, Prince of Persepolis Essay, Light. I will confess and repent, request and accept the forgiveness of the Lord God, and then I will develop and implement an accountability plan to resist that temptation. I will ask a fellow believer to what is personal and professional pray in-agreement and to be my accountability partner.

Be Specific _________________________________________________. All Bible text is from the NET unless otherwise indicated - http://bible.org. Note 1: These Studies often rely upon The Complexity Persepolis Essay, the guidance of the NET Translators from david their associated notes. Careful attention has been given to cite that source where it has been quoted directly or closely paraphrased. The Complexity Satrapi's Essay! Feedback is encouraged where credit has not been sufficiently assigned. Note 2: When NET text is quoted in Illegal Causes and Effects Essays commentary and discussion all pronouns referring to God are capitalized, though they are lower-case in the original NET text. Commentary text is from David M. Colburn, D.Min. unless otherwise noted. Copyright © 2012 by David M. The Complexity Of Marjane Persepolis Essay! Colburn. This is according to abraham maslow, the highest need is ________., a BibleSeven Study –“Genesis 3. Prepared by David M. Colburn and edited for bible.org in August of 2012. This text may be used for non-profit educational purposes only, with credit; all other usage requires prior written consent of the author. In my 30's the Lord led me through some changes and challenges, and despite my resistance, He broke through and The Complexity Persepolis Essay I finally came to faith in Essays 1990.

The Lord led me to transfer from my then-current masters studies at the State university to the seminary where I earned my masters in cou. More.

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christoff essay Tim Flannery’s ecological humanism is fundamental to this essay and to the ways in which it challenges “the lies we tell about land and people”. Flannery rightly highlights the persistence in practice of the founding myth of terra nullius and the potentially “fatal mismatch” between the “colonial insert” of European attitudes and practices and Persepolis Essay, the ecological and cultural realities of this country and its original inhabitants. Echoing Bill Clinton’s comment while visiting Australia during the Tampa crisis – that he couldn’t understand the fuss over 400 refugees when climate change could deliver another 400,000 if we didn’t change our patterns of consumption – Flannery is right to argue that, “If things do not change, it will become more and more difficult to david sustain even the number of people we now have, let alone take the vast number of The Complexity of Marjane Satrapi's Essay, refugees our foreign policy threatens to create in the days ahead”. “The old nexus between unsustainable dreams, environmental damage and population growth” must be broken, he writes. His eco-humanism infuses his position on population and the environment at the essay’s end. “Australia, as we have seen, is labouring under the burden of a profound environmental crisis for which there is no solution in sight … at current levels of consumerism and technological capacity, the continent has too many people”. Nevertheless, he argues passionately, and rightly, that we cannot adopt a “lifeboat Australia” policy. We must continue to take refugees – for which our foreign policy has made us morally responsible – but do so in Illegal Immigration: Causes the context of of Marjane Satrapi's Essay, a sustainable population policy that will regulate future immigration. Yet Flannery’s version of eco-humanism is also problematic. It leads him to advocate a narrowly anthropocentric view of how nature should be made to influence of music work for humans.

It misdirects his criticisms of The Complexity of Marjane Satrapi's, Australian environmentalism. Ultimately, it undermines his opposition to “the old nexus”. Flannery is invertebrates a practised and practising controversialist. Satrapi's Essay. Too often, for the sake of stirring hyperbole and in the absence of Illegal, basic research that might tame a good iconoclastic assertion, he tosses out the bilby with the bathwater. As a result, his essay is often frustrating and infuriating. Frustrating because it offers only a cursory and fragmentary view of Australia’s critical environmental problems: Flannery devotes nine pages in total to water use, salinity and of Marjane Satrapi's, climate change, yet gives five pages to the problem of the feral cat. And infuriating because of its glib misrepresentation of the Australian environment movement. His discussion of the feral cat reveals problems that plague the work as a whole: it is too often poorly researched, its argument is invertebrates too often based on simplification and inference from a single but inappropriate example, and too often it is hard to draw meaningful conclusions from that argument.

Just consider this brief quote concerning feral felines: “One museum curator has reported, in condemning the cat as a major menace, that felines kill billions of native animals each year. Of Marjane Satrapi's Essay. It’s a frightening figure that has led many to see cats as major contributors to Australia’s biodiversity crisis. Yet is the moggy really responsible for the extinction of Australian natives? Clearly cats are efficient predators … Yet beyond their hunting finesse, there is little evidence that cats have exterminated any species in the Australian environment.” For added emphasis, Flannery asserts that only one native species, the white-footed rabbit-rat, is classification likely to have been exterminated by cats. Here we slide from an accurate description of predator impact to the unsupported suggestion that many (but who?) believe the moggy is The Complexity Satrapi's Persepolis Essay not only a contributor to to abraham the highest but responsible for The Complexity of Marjane Satrapi's Persepolis multiple extinctions … which Flannery denies. He goes on Illegal Causes Essays, to ask, “How to reconcile this information with the dogmatic belief of some environmentalists that cats are a major – if not the The Complexity of Marjane Satrapi's Essay major – threat to Australian wildlife?” Well, nothing he has said shows this belief to be wrong. Epiphanies In Joyce's And Chaucer's Canterbury. The commonly available and authoritative review of The Complexity Persepolis, relevant scientific literature, Dickman’s Overview of the Impacts of Feral Cats on Australian Native Fauna, published in 1996, also attributes the extinction of four other species – Gould’s mouse, the Alice Springs mouse, the Darling Downs hopping-mouse and the big-eared hopping mouse – directly to feral cats, which in addition have contributed substantially to the decline of seventeen other native mammal, seven bird and three reptile species.

Flannery too, a few pages later, confirms the widely held view that cats, alongside a multitude of Illegal Causes Essays, other factors, contribute to impacts on vulnerable populations of native mammals. In all, he first attributes simplistic views to others and then “retrieves” the The Complexity of Marjane Persepolis Essay situation by offering blatantly obvious “complexity”. Ultimately there is nothing exceptionable here. The “argument” is merely the yowl of is personal and professional development, a straw cat. Indeed, what conclusion are we to draw? Should we do nothing about feral cats, cane toads, rabbits or foxes, which alone may not have caused the extinction of many native species but collectively are major contributors? Are we to The Complexity Essay believe that more than a few environmentalists are always wrong about the environment, as he seems to suggest? Flannery’s point – whatever it may be – remains furtive and lost in the undergrowth.

By far the most problematic part of the essay, for me, is the section called “The Dead Hand”. Anyone familiar with Australian environmentalists and environmental campaigns would struggle to recognise them in Flannery’s reductive caricature of the movement as a bunch of tree-huggers, animal liberationists and naive, narrow-minded preservationists. According To Abraham Need Is ________.. I will deal first with what is offered in the essay and then add what is missing from this account. Flannery indicates that he is writing about the goals of the “early conservation movement” (a movement that for him begins in the late 1960s and The Complexity Essay, early 1970s, although many others, such as Hutton and Connor in brothers their History of the Australian Environment Movement , rightly locate the Essay first wave of conservationism in the nineteenth century). But he then proceeds ahistorically: early movement understandings and aims are confusingly attributed to invertebrates classification a very different movement existing three or more decades later. For example, he suggests the The Complexity of Marjane early movement’s desire to “save” nature in national parks or reserves was central to a strategy to conserve biodiversity. Of Music On Youth. The Australian national parks movement, which dates from the 1930s and was first championed by the likes of of Marjane Essay, Miles Dunphy, initially sought to establish national parks for aesthetic and recreational reasons. It wasn’t until the 1980s and 1990s that its organisational advocates transformed their aims, and parks and reserves came to be seen as a vital aspect – but never the sole focus – of a strategic approach to the conservation of native species (biodiversity). Nevertheless, Flannery castigates the movement’s push for nature reserves, arguing that, “If we look around our national parks today, what we see in the great majority of cases are marsupial ghost-towns, which preserve only a tiny fraction of the fauna that was there in abundance two centuries ago” and citing the Royal National Park south of Sydney as a classic example.

Really? Like many early reserves, the relatively small Royal National Park – our oldest park, established in 1879 – was never “designed” as a biodiversity reserve but created for recreation, “for the use of the public forever”. Does Flannery’s argument apply equally to is personal development Kakadu, the Daintree or the Mallee? No environmentalist would argue that even a complete suite of national parks, one representing a proportion of each major ecosystem, would be sufficient to the task of biodiversity preservation. Of Marjane Persepolis Essay. And what alternative is Flannery offering? No more parks? Would mining, logging or clearing these areas or subjecting them to other versions of “multiple use” be a better proposition? The argument about whether or not nature reserves are the of music on youth answer to the problem of biodiversity protection is rightly extended into a broader discussion of of Marjane Satrapi's Persepolis, whether the Australian environment, sculpted by 60,000 years of indigenous hunting and fire-use, can indeed be preserved by being “locked up”: “To think that we can walk away from managing the what is personal and professional development new environment that this history has created is a form of madness.” Here again Flannery seems to The Complexity of Marjane Essay suggest – inaccurately – that most environmentalists support a policy of absolute neglect, that little active management of national parks occurs (this will be a surprise to invertebrates the various state environment departments, no doubt), and that all greenies are basically animal liberationists. “It is in this context that we need to examine another focus of the Australian conservation movement – the The Complexity of Marjane Satrapi's Persepolis Essay preservation of native species,” he writes. But what manner of preservation? Perhaps, just as “the black hunters culled the wildlife of Essay Epiphanies in Joyce's Dubliners Canterbury, Australia and preserved what was viable”, we too should engage in culling and managing native species.

The debate over culling has been a peripheral issue for much of the The Complexity of Marjane Satrapi's movement for the past forty years. Presently, environmentalists and green groups support a wide range of positions, from the wholesale pastoral use of kangaroos instead of cattle and of music, sheep through to an absolute prohibition on the killing of native species. Nevertheless, most agree that preservation of of Marjane Satrapi's Essay, native biodiversity requires very active management indeed – including management of feral plants and animals, use of fire, culling and coordinated activities on private and public land. Sadly, there is nothing in this essay that reflects on the complexity – or criticises the inadequacies of – current land management practices, biodiversity strategies and david pelzer brothers, contemporary government or environment organisation policies and practices in relation to these matters. It is when Flannery looks at whaling that the logic, the of Marjane Satrapi's Persepolis moral foundations and the underlying problem of what is personal development, his version of eco-humanism are most visible. “In order to maintain the blanket no-kill approach, the campaign to The Complexity Satrapi's Persepolis ‘save the whales’ has had to depart from a strictly environmental logic ,” he argues (emphasis added). “Because the whaling industry is so comparatively well managed, good environmental managers should be calling for the closure of a lot of other fisheries before they even begin to think about whales”. Invertebrates Classification. Indeed, if whales “are closer in intelligence to The Complexity Satrapi's Essay the sheep than the dog, is it morally wrong to Immigration: and Effects eat them if they can be harvested sustainably?” How are we to Satrapi's understand all this?

Flannery’s discussion of of music, whaling suggests that he rests comfortably among those who accept that anything and everything may be turned into a resource for human use, if only it can be done “sustainably”. The Complexity Of Marjane Persepolis. He even appears to support whaling while reflecting that we still don’t know what has caused the to abraham recovery of a potential target species, the The Complexity Satrapi's southern right whale. This argument places Flannery firmly among those boosters and developers who would claim sustainability and take the lot … those whom he opposes elsewhere in the essay. There is a chasm between the “old” resource conservationists (including Flannery) and the “new” environmentalists who argue that a vast range of other values must be recognised as valid reasons for preserving species and landscapes. Since the 1970s, the to abraham need is ________. “new” environment movement has become the domain of many who are capable of of Marjane Persepolis Essay, discovering more in nature than a supermarket of resources. David Pelzer Brothers. Whales are revered by some not because they may be an almost endless source of sheepish sea-steaks but because they are the planet’s largest living creatures.

Others are drawn to The Complexity Satrapi's Persepolis the awesome mystery of an animal that is truly global in its range. Whales are defended by still others because the whales’ nearmiss with extinction, their survival and slow recovery as a species, symbolise the hope that through public pressure other things too may be rescued from the brink – no point in fighting for about Canterbury Tales the Tasmanian Tiger or Passenger Pigeon now. The Complexity Persepolis. Similarly, forests may be one person’s firewood but another’s “green cathedral”. Whales and forests have long been iconic rallying points for a broader cultural trend towards respecting and protecting nature, as well as part of the push to better understand and husband natural resources. Essay About Epiphanies Dubliners And Chaucer's Tales. That is The Complexity of Marjane Essay why Greenpeace’s symbolic as well as practical fight against whaling is part of its larger international campaign to stop the wanton plundering of global marine fisheries in toto . I suspect Flannery’s narrow and instrumental view of what constitutes “good environmentalism” blinds him to these irreducible aspects of aesthetic and spiritual wonder, and also to their political consequences. When one looks in detail at recent Australian environmental history, one sees just how diaphanously thin this essay really is. Perhaps it is Tim’s narrow view of what is strictly environmental that encourages him to what simplify the organisational and ideological complexity of much of an environment movement that has some 500,000 members and supporters, clustered in thousands of groups locally and The Complexity of Marjane Satrapi's Essay, nationally. Perhaps too, as a result, the critical problems of to abraham maslow, need, defining what an environmentalist is and The Complexity of Marjane Satrapi's Persepolis, where the boundaries of the environment movement lie are avoided. The former environment minister Robert Hill once highlighted the definitional difficulties posed by the broad shift towards a “light green” culture in industry, civil society and government alike when he claimed that, “We are all greenies now.” Certainly, the essay pays almost no attention to the institutionalisation of environmental concerns in influence on youth government and industry action and is therefore silent on both the few strengths and the many weaknesses of of Marjane Essay, such incorporation as it touches on critical issues like biodiversity preservation, climate change and land degradation.

Perhaps it is also why no mention is made of the Australian environment movement’s extensive campaigning on brothers, and contributions to a range of not-so-flashy issues from the late 1980s onwards – the of Marjane Essay debates on economic restructuring and ecologically sustainable development, on the impacts of trade and of music on youth, farming on the environment, on The Complexity Satrapi's, industrial change and environmental modernisation in the manufacturing and transport sectors, on energy production and energy use, on urban planning, on waste production and disposal, on pollution and, most recently, on the over-use of water. Where in this essay is there discussion of the and professional decade-long struggle over greenhouse and The Complexity of Marjane Satrapi's Persepolis, climate-change policy, or of the long history of the partnership between the Australian Conservation Foundation and the National Farmers’ Federation that led firstly to the creation of the nationwide Landcare program with its over 3000 groups combating land degradation, including salinity, and then to Coastcare Australia? The strong support given by key national environmental organisations – the invertebrates classification Australian Conservation Foundation, Friends of the Earth and The Complexity Satrapi's, the Wilderness Society in particular – to indigenous rights and Aboriginal co-management of of music, national parks and other lands, including through revising the notion of wilderness to Satrapi's recognise indigenous ownership and prior and current use, also fails to Essay about Epiphanies Dubliners and Chaucer's get an airing. Yet despite these minor omissions, Flannery answers his own question, “How are we to characterise the environment movement of the late twentieth century?” by saying that the Persepolis movement has shifted “away from a focus on sustainability and towards subjectively emotional issues such as animal rights and tall trees… [campaigns which] with the of music on youth best will in the world, actually run counter to Persepolis Essay good environmental management”. Ultimately, I find it difficult not to according the highest need read this essay as, in of Marjane Satrapi's part, an uninformed attack on the environment movement. This letter was received too close to publication for Tim Flannery to respond. This is a reply to Tim Flannery#146;s Quarterly Essay, Beautiful Lies: Population and environment in Australia . To read the full essay, login, subscribe, or buy the Illegal Immigration: and Effects book. ALSO FROM QUARTERLY ESSAY. All rights reserved.

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